The savage and modern self : North American Indians in eighteenth-century British literature and culture / Robbie Richardson.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781487517946
- 1487517947
- 9781487517953
- 1487517955
- Indians in literature
- English literature -- 18th century -- History and criticism
- National characteristics, British, in literature
- Britanniques dans la littérature
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- English literature
- Indians in literature
- National characteristics, British, in literature
- 1700-1799
- 820.9/5299709033 23
- PR448.I536
- cci1icc
- coll13
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
![]() |
OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Introduction -- Indians and the construction of Britishness in the early eighteenth century -- The indian as cultural critic : shaping the British self -- Captivity narratives and colonialism -- Novel indians: Tsonnonthouan and the commodification of culture -- Becoming Indians : sentiment and the hybrid British subject -- Native North American material culture in the British imaginary -- Conclusion : "pen-and-ink work."
"The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity."--Provided by publisher
Print version record.
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide
There are no comments on this title.