Our war paint is writers' ink : Anishinaabe literary transnationalism / Adam Spry.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781438468839
- 1438468830
- 897/.333 23
- PM853.5
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Description based on print version record and CIP data provided by publisher.
Intro; Contents; List of Illustrations; Acknowledgments; Miigwech; Ozhibiiâ#x80;#x99;ige; Introduction: Whence These Legends and Traditions?; Wild and Wayward Stories; Gakina Banaadad; Translation, Transmotion, and Transnationalism; 1. Revolutionary in Character: Translating Anishinaabe Place and Time in the Progress; Beaulieuâ#x80;#x99;s Vision; When This Country Was One Great Reservation; A Revolutionary Legacy; 2. Englishman, Your Color Is Deceitful: Unsettling the North Woods in Janet Lewisâ#x80;#x99;s The Invasion; Long Time Ago Good, Now Heap Shit; Stuck with History; The Ogimaag; Writing Kinship.
The Indians Shut The Door3. What Is This I Promise You?: The Translation of Anishinaabe Song in the Twentieth Century; The Tireless Throb of the Drum; The Chippeway in the Drawing Room; Two Foxes Face Each Other; A New Tribal Hermeneutics; The Oshkianishinaabeg; 4. A Tribe of Pressed Trees: Representations of the State in the Fiction of Louise Erdrich; Holding a Wolf by the Ear; An Almost Painful Happiness; We Live Because We Live; Drawing a Line; Conclusion; Notes; Index.
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