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Our war paint is writers' ink : Anishinaabe literary transnationalism / Adam Spry.

By: Material type: TextTextSeries: Native tracesPublisher: Albany : State University of New York Press, [2018]Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781438468839
  • 1438468830
Subject(s): Genre/Form: Additional physical formats: Print version:: Our war paint is writers' inkDDC classification:
  • 897/.333 23
LOC classification:
  • PM853.5
Online resources:
Contents:
Intro; Contents; List of Illustrations; Acknowledgments; Miigwech; Ozhibiiâ#x80;#x99;ige; Introduction: Whence These Legends and Traditions?; Wild and Wayward Stories; Gakina Banaadad; Translation, Transmotion, and Transnationalism; 1. Revolutionary in Character: Translating Anishinaabe Place and Time in the Progress; Beaulieuâ#x80;#x99;s Vision; When This Country Was One Great Reservation; A Revolutionary Legacy; 2. Englishman, Your Color Is Deceitful: Unsettling the North Woods in Janet Lewisâ#x80;#x99;s The Invasion; Long Time Ago Good, Now Heap Shit; Stuck with History; The Ogimaag; Writing Kinship.
The Indians Shut The Door3. What Is This I Promise You?: The Translation of Anishinaabe Song in the Twentieth Century; The Tireless Throb of the Drum; The Chippeway in the Drawing Room; Two Foxes Face Each Other; A New Tribal Hermeneutics; The Oshkianishinaabeg; 4. A Tribe of Pressed Trees: Representations of the State in the Fiction of Louise Erdrich; Holding a Wolf by the Ear; An Almost Painful Happiness; We Live Because We Live; Drawing a Line; Conclusion; Notes; Index.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Description based on print version record and CIP data provided by publisher.

Intro; Contents; List of Illustrations; Acknowledgments; Miigwech; Ozhibiiâ#x80;#x99;ige; Introduction: Whence These Legends and Traditions?; Wild and Wayward Stories; Gakina Banaadad; Translation, Transmotion, and Transnationalism; 1. Revolutionary in Character: Translating Anishinaabe Place and Time in the Progress; Beaulieuâ#x80;#x99;s Vision; When This Country Was One Great Reservation; A Revolutionary Legacy; 2. Englishman, Your Color Is Deceitful: Unsettling the North Woods in Janet Lewisâ#x80;#x99;s The Invasion; Long Time Ago Good, Now Heap Shit; Stuck with History; The Ogimaag; Writing Kinship.

The Indians Shut The Door3. What Is This I Promise You?: The Translation of Anishinaabe Song in the Twentieth Century; The Tireless Throb of the Drum; The Chippeway in the Drawing Room; Two Foxes Face Each Other; A New Tribal Hermeneutics; The Oshkianishinaabeg; 4. A Tribe of Pressed Trees: Representations of the State in the Fiction of Louise Erdrich; Holding a Wolf by the Ear; An Almost Painful Happiness; We Live Because We Live; Drawing a Line; Conclusion; Notes; Index.

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