American sabor : Latinos and latinas in US popular music = Latinos y latinas en la música popular estadounidense / Marisol Berríos-Miranda, Shannon Dudley, Michelle Habell-Pallán.

By:

Berríos-Miranda, Marisol

Contributor(s):

Material type: Text

TextPublisher: Seattle : University of Washington Press, [2018]Description: 1 online resourceContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780295742632
0295742631

Subject(s):

Genre/Form:

Electronic books.

Additional physical formats: Print version:: American saborDDC classification:

781.64089/68073 23

LOC classification:

ML3477

Online resources:

Click here to access online

Contents:

Cover; AMERICAN SABOR; Title; Copyright; Dedication; TABLA DE CONTENIDO; AGRADECIMIENTOS; GUÍA AL LECTOR; INTRODUCCIÓN; 1 Creando y compartiendo "música latina" en Estados Unidos, años 1940-1950; 2 Innovación y cruce de fronteras, años 1950-1960; 3 Conectando con las Américas, años 1970-1990; 4 Hazlo tú mismo ("Do-It-Yourself", o DIY), años 1980-2000; 5 Estrellas comerciales y artivistas comunitarios; EPÍLOGO; APÉNDICE: LEYENDAS EN ESPAÑOL; NOTAS AL CALCE; BIBLIOGRAFÍA; ÍNDICE; CONTENTS; ACKNOWLEDGMENTS; READER'S GUIDE; INTRODUCTION.

1 Creating and Sharing "Latin Music" in the United States, 1940s-1950s2 Innovation and Boundary Crossing, 1950s-1960s; 3 Connecting with the Americas, 1970s-1990s; 4 Doing It Yourself (DIY), 1980s-2000s; 5 Commercial Stars and Community Artivistas; AFTERWORD; APÉNDICE: LEYENDAS EN ESPAÑOL; NOTES; BIBLIOGRAPHY; INDEX.

Summary: Evoking the pleasures of music as well as food, the word sabor signifies a rich essence that makes our mouths water or makes our bodies want to move. American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San Francisco, and Miami. From Tito Puente's mambo dance rhythms to the Spanglish rap of Mellow Man Ace, American Sabor focuses on musical styles that have developed largely in the United States-including jazz, rhythm and blues, rock, punk, hip hop, country, Tejano, and salsa-but also shows the many ways in which Latin@ musicians and styles connect US culture to the culture of the broader Americas. With side-by-side Spanish and English text, authors Marisol Berrios-Miranda, Shannon Dudley, and Michelle Habell-Pallan challenge the white and black racial framework that structures most narratives of popular music in the United States. They present the regional histories of Latin@ communities-including Chicanos, Tejanos, and Puerto Ricans-in distinctive detail, and highlight the shared experiences of immigration/migration, racial boundary crossing, contesting gender roles, youth innovation, and articulating an American experience through music. In celebrating the musical contributions of Latinos and Latinas, American Sabor illuminates a cultural legacy that enriches us all.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references and index.

Description based on print version record and CIP data provided by publisher.

Evoking the pleasures of music as well as food, the word sabor signifies a rich essence that makes our mouths water or makes our bodies want to move. American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San Francisco, and Miami. From Tito Puente's mambo dance rhythms to the Spanglish rap of Mellow Man Ace, American Sabor focuses on musical styles that have developed largely in the United States-including jazz, rhythm and blues, rock, punk, hip hop, country, Tejano, and salsa-but also shows the many ways in which Latin@ musicians and styles connect US culture to the culture of the broader Americas. With side-by-side Spanish and English text, authors Marisol Berrios-Miranda, Shannon Dudley, and Michelle Habell-Pallan challenge the white and black racial framework that structures most narratives of popular music in the United States. They present the regional histories of Latin@ communities-including Chicanos, Tejanos, and Puerto Ricans-in distinctive detail, and highlight the shared experiences of immigration/migration, racial boundary crossing, contesting gender roles, youth innovation, and articulating an American experience through music. In celebrating the musical contributions of Latinos and Latinas, American Sabor illuminates a cultural legacy that enriches us all.

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