Signs that sing : hybrid poetics in Old English verse / Heather Maring.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780813052922
- 0813052920
- English poetry -- Old English, ca. 450-1100 -- History and criticism
- English language -- Old English, ca. 450-1100
- Poésie anglaise -- ca 450-1100 (Vieil anglais) -- Histoire et critique
- Anglais (Langue) -- ca 450-1100 (Vieil anglais)
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- LITERARY CRITICISM -- Poetry
- English language -- Old English
- English poetry -- Old English
- 450-1100
- 829/.1 23
- PR201 .M37 2017eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Introduction -- Hybrid poetics in Old English verse -- Metonymy, Gifre, gr¿dig, and a devouring-the-dead theme -- A lord-retainer theme -- Refiguring hybrid oral-literate signs -- Bright voice of praise: an Old English poet-patron theme -- A sea voyage in the dream of the rood -- Signifying the coming of Christ in the advent lyrics -- Afterword: signs that sing.
Maring considers several types of Old English verse: oral poetry, with its simultaneity of composition, dissemination, and reception and dynamic of performance; written poetry and its reliance on intertextual referencing; and liturgical works, heavily laden with Christian meaning. Maring's project examines the expressive possibilities created by hybridization as well as how these expressions influence our interpretation of individual poems from the ninth to eleventh centuries.
Online resource; title from PDF title page (EBSCO, viewed May 11, 2017).
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