Cheap print and popular song in the nineteenth century : a cultural history of the songster / edited by Paul Watt, Derek B. Scott and Patrick Spedding.
Material type: TextPublisher: Cambridge, United Kingdom : Cambridge University Press, 2017Copyright date: ©2017Description: 1 online resource (xiii, 250 pages)Content type:- text
- computer
- online resource
- 9781108163347
- 1108163343
- 9781108162708
- 1108162703
- 1108163181
- 9781108163187
- Songsters -- History and criticism
- Popular music -- Social aspects -- History -- 19th century
- Popular music -- Political aspects -- History -- 19th century
- Popular music -- To 1901 -- History and criticism
- Songsters -- Histoire et critique
- Musique populaire -- Aspect social -- Histoire -- 19e siècle
- Musique populaire -- Aspect politique -- Histoire -- 19e siècle
- Musique populaire -- Jusqu'à 1901 -- Histoire et critique
- MUSIC -- Instruction & Study -- Voice
- MUSIC -- Lyrics
- MUSIC -- Printed Music -- Vocal
- Popular music
- Popular music -- Political aspects
- Popular music -- Social aspects
- Songsters
- To 1901
- 782.421640973/09034 23
- ML3470 .C5 2017eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Print version record.
Cover; Half-title; Title page; Copyright information; Table of contents; List of figures; List of tables; Notes on contributors; Acknowledgments; 1 The Nineteenth- Century Songster; References; Part 1 Production, Function and Commerce; 2 American Secular Songsters in the Nineteenth Century; Introduction; Before 1820; 1820-1860; 1860s-1890s; After 1890; Conclusion; Songsters Referred To in the Text; References; Online Resources; 3 The Prefaces to Songsters; Authorship and the Law; Dibdin and Burton: Law and Agency; Aesthetics; Performers and Their Reputations; Conclusion.
Songsters Referred To in the TextReferences; 4 The Genesis of Thomas Moore's Irish Melodies, 1808-1834; References; Archives; Appendix; Part 2 Politics; 5 The US Presidential Campaign Songster, 1840-1900; Songsters Referred To in the Text; Songsters Not Referred To in the Text; Online Sources; References; 6 Friendship, Cosmopolitan Connections and Late Victorian Socialist Songbook Culture; Songsters Referred To in the Text; References; 7 'Confound Their Politics': The Political Uses of 'God Save the King-Queen'; Songsters Referred To in the Text; References.
8 Charles Robert Thatcher's SongstersIntroduction; Who Was Charles Thatcher?; 'There's Gold in Them Thar Hills'; The Victoria Songster; Thatcher's Colonial Songster and Thatcher's Colonial Minstrel; Conclusion; Songsters Referred To in the Text; References; Part 3 Nation, Place and Purpose; 9 Rethinking the Songster and ƯNational-Cosmopolitan Identity in Lowland Scotland, c. 1787-1830; Introduction; Historical Background and Scottish Enlightenment Improvement; Nationalism, Cosmopolitanism, and the Songster; Allan Ramsay (1686-1758); George Thomson and the National Music of Scotland.
'Lochaber'Improvement and Representations of Scottish Gaelic Music; Conclusion; Songsters Referred To in the Text; References; 10 The Blackface Songster in Britain; Introduction; Early Blackface Songsters; Later Blackface Songsters; Conclusion; Songsters Referred To in the Text; References; 11 Popular Songsters and the British Military; The Origins of 'The Girl I Left Behind Me'; Popular Song in the British Military; Songsters; The British Army War-Song Album; Conclusion; Songsters Referred To in the Text; References; 12 Australian Songsters and the Australian Folk Song Movement.
Songsters and the Folk Song MovementSongsters Referred To in the Text; References; Index.
This is the first book to detail the musical and cultural significance of the songster.
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