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Literary madness in British, postcolonial, and Bedouin women's writing / by Shahd Alshammari.

By: Material type: TextTextPublisher: Newcastle upon Tyne : Cambridge Scholars Publishing, [2016]Description: 1 online resource (151 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781443812948
  • 1443812943
Subject(s): Genre/Form: Additional physical formats: Print version:: Literary madness in British, postcolonial, and Bedouin women's writing.DDC classification:
  • 809/.933561 23
LOC classification:
  • PN56.M45 A47 2016eb
Online resources: Summary: This book considers the ways in which madness has been portrayed in writing by women writers. It readdresses the madwoman trope, opening up multiple sites of literary madness, examining places and spaces outside of the 'madwoman in the attic.' In particular, a transnational approach sets itself up against a Eurocentric approach to literary madness. Women novelists from the Brontës to the Indian writer Arundhati Roy and Arab writers Fadia Faqir and Miral al-Tahawy interrogate patriarchal societies and oppressive cultures. Female characters who suffer from madness are strikingly similar in their.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages141-146) and index.

Print version record.

This book considers the ways in which madness has been portrayed in writing by women writers. It readdresses the madwoman trope, opening up multiple sites of literary madness, examining places and spaces outside of the 'madwoman in the attic.' In particular, a transnational approach sets itself up against a Eurocentric approach to literary madness. Women novelists from the Brontës to the Indian writer Arundhati Roy and Arab writers Fadia Faqir and Miral al-Tahawy interrogate patriarchal societies and oppressive cultures. Female characters who suffer from madness are strikingly similar in their.

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