Latin American women filmmakers : social and cultural perspectives / Traci Roberts-Camps.
Material type:
TextSeries: Pasó por aquíPublisher: Albuquerque : University of New Mexico Press, 2017Description: 1 online resource (xix, 180 pages, 8 unnumbered pages of plates) : illustrations (some color)Content type: - text
- computer
- online resource
- 9780826358288
- 0826358284
- Lateinamerika
- Women in the motion picture industry -- Latin America
- Women motion picture producers and directors -- Latin America
- Motion pictures -- Latin America
- Motion pictures and women -- Latin America
- Femmes dans l'industrie cinématographique -- Amérique latine
- Productrices et réalisatrices de cinéma -- Amérique latine
- Cinéma et femmes -- Amérique latine
- 24.32 history of film art
- PERFORMING ARTS -- Film & Video -- History & Criticism
- PERFORMING ARTS -- Reference
- Motion pictures
- Motion pictures and women
- Women in the motion picture industry
- Women motion picture producers and directors
- Latin America
- Filmwirtschaft
- Weibliche Filmschaffende
- Latin America
- 791.43/6522 23
- PN1995.9.W6 C287 2017eb
- PN1995.9.W6 R515 2017e
- PER004030
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 163-171), filmography (page 161) , and index.
Online resource; title from digital title page (ProQuest Ebook Central, viewed November 15, 2019).
"Women are noticeably marginalized from the Latin American film industry, with lower budgets and inadequate distribution, and they often rely on their creativity to make more interesting films. This book highlights the voices and stories of some of these directors from Brazil, Chile, Argentina, and Mexico. Roberts-Camps's insightful exploration is the most broad-ranging account of its kind, making the book relevant to the study of literature as well as film."-- Provided by publisher.
Transgression: María Luisa Bemberg's Camila and Yo, la peor de todas -- Isolation: Lucía Puenzo's XXY and El niño pez -- Female solidarity: the films of María Novaro -- Female body as spectacle: Dana Rotberg's Ángel de fuego and La mujer del pueblo: Otilia Rauda -- Parallelism: Carmen Luz Parot's Estadio Nacional -- Escape: Alicia Scherson's Play -- Urban and inner lives: the films of Suzana Amaral -- Being Brazilian: national identity in Tizuka Yamasaki's Gaijin: Caminhos da Liberdade and Gaijin: Ama-me como sou.
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