The Edinburgh companion to T.S. Eliot and the arts / edited by Frances Dickey and John D. Morgenstern.

Includes bibliographical references and index.

Part 1. Eliot and the visual arts -- Eliot in the Asian Wing -- "Mandarins" at the Museum of Fine Arts, Boston / Frances Dickey -- Eliot's tour of Asian and African art in the museums of Paris and London, 1910-11 / Nancy D. Hargrove -- "Afternoon" at the British Museum / Michael Coyle -- The modern bacchanal: Eliot and Matisse / John D. Morgenstern -- Eliot and Italian painting / Anne Stillman -- Eliot, architecture, and historic preservation / Joshua Mabie. Part 2. Eliot and the performance arts -- The musical world of Eliot's Inventions / Frances Dickey -- Wagner in The Waste Land -- "Try, if possible, to hear something": Eliot's Kundry / Katherine Hobbs -- Hearing history: Eliot's rite of spring / T. Austin Graham -- Beauty is in the ear of the beholder: Eliot, Armstrong, and Ellison / Steven Tracy -- The music of Four Quartets -- Into our first world: Schopenhauer, Wagner, and the music of the will in Four Quartets / Aakanksha Virkar-Yates -- "A musical pattern of sound": absolute music and Four Quartets / Michelle Witen -- Eliot and the music-hall comedian / Barry J. Faulk -- Evenings at the Phoenix society: Eliot and the independent London theatre / Anthony Cuda -- Eliot and dance / Susan Jones. Part 3. Eliot and media -- Eliot and the idea of "media" / David Trotter -- Eliot and the art of the photograph / Malobika Sarkar -- Eliot's radio times; or, listen with Possum / Edward Allen.

Print version record.

From his early ́⁰Curtain Raiser" to the late Four Quartets, T.S. Eliot took an interest in all the arts, drawing on them for poetic inspiration and for analysis in his prose. T.S. Eliot and the Arts provides extensive, high quality research about his many-sided engagement with painting, sculpture, museum artefacts, architecture, music, drama, music hall, opera and dance, as well as the emerging media of recorded sound, film and radio. Building on the newly published editions of Eliot́⁰₉s prose and poetry, this contemporary research collection opens avenues for understanding Eliot both in his own right as a poet and critic and as a foremost exemplar of interarts modernism.

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