Liangyou : kaleidoscopic modernity and the Shanghai global metropolis, 1926-1945 / edited by Paul G. Pickowicz, Kuiyi Shen, Yingjin Zhang ; contributors, Emily Baum [and thirteen others].
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9789004263383
- 9004263381
- Liang you
- Liang you
- Illustrated periodicals -- China -- Shanghai
- Art and photography -- China -- Shanghai
- Shanghai (China) -- In mass media
- Shanghai (China) -- In popular culture
- Shanghai (China) -- Social life and customs -- 20th century -- Pictorial works
- Shanghai (China) -- Social conditions -- 20th century -- Pictorial works
- Magazines (Publications) -- Chine -- Shanghai
- Art et photographie -- Chine -- Shanghai
- HISTORY -- Asia -- General
- Social conditions
- Manners and customs
- Illustrated periodicals
- Art and photography
- Mass media
- China -- Shanghai
- Bildpublizistik
- Druckmedien
- Moderne
- Schanghai
- Media Studies
- 1900-1999
- 059.951 23
- AP95.C4 .L536 2013eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Restrictions on access to electronic version: access available to SOAS staff and students only, using SOAS id and password.
Includes bibliographical references and index.
Part I. Designing modernity -- Part II. Embodying the modern -- Part III. Negotiating genders -- Part IV. Modernizing tradition.
Online resource; title from PDF title page (ebrary, viewed November 10, 2015).
"This collection of original essays explores the rise of popular print media in China as it relates to the quest for modernity in the global metropolis of Shanghai from 1926 to 1945. It does this by offering the first extended look at the phenomenal influence of the Liangyou pictorial, 'The Young Companion', arguably the most exciting monthly periodical ever published in China. Special emphasis is placed on the profound social and cultural impact of this glittering publication at a pivotal time in China. The essays explore the dynamic concept of "kaleidoscopic modernity" and offer individual case studies on the rise of "art" photography, the appeals of slick patent medicines, the resilience of female artists, the allure of aviation celebrities, the feistiness of women athletes, representations of modern masculinity, efforts to regulate the female body and female sexuality, and innovative research that locates the stunning impact of Liangyou in the broader context of related cultural developments in Tokyo and Seoul."--Jacket.
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