Julius Caesar.

By:

James Hartley, Andrew

Contributor(s):

Material type: Text

TextSeries: Shakespeare in Performance MUPPublication details: Oxford : Manchester University Press, 2015.Description: 1 online resource (271 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781526102478
1526102471
0719079195
9780719079191
9781781707258
1781707251

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Julius Caesar.DDC classification:

822.33

LOC classification:

PR2808.H378 2014

Other classification:

HI 3429

Online resources:

Click here to access online

Contents:

Julius Caesar; Half Title Page; Title Page; Copyright; Dedication; CONTENTS; SERIES EDITORS' PREFACE ; ACKNOWLEDGEMENTS ; LIST OF ILLUSTRATIONS ; INTRODUCTION: POLITICAL THEATRE ; CHAPTER 1: 'So are they all, all honourable men': Julius Caesar before the Second World War; CHAPTER II: The rise of European Fascism: Welles at the Mercury Theatre; CHAPTER III: (Un)American identities: Mankiewicz (1953); CHAPTER IV: Wise saws and Modern(ist) instances: Anderson, Barton and Nunn; CHAPTER V: Glories past: the minor films; CHAPTER VI: The Romans in Britain: Caesar under Thatcher.

CHAPTER VII: Accents yet unknown: global CaesarsCHAPTER VIII: 'Growing on the South': Georgia Shakespeare 2001 and 2009; CHAPTER IX: A strange disposed time: Caesar at the millennium; APPENDIX: Major cast and company staff of select twentieth- and twenty-first-century productions; Bibliography; Index.

Summary: Presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Print version record.

Presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen.

Includes bibliographical references (pages 249-252) and index.

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