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Encounters with Godard : ethics, aesthetics, politics / James S. Williams.

By: Material type: TextTextSeries: SUNY series, horizons of cinemaPublisher: Albany : State University of New York Press, [2016]Copyright date: ©2016Description: 1 online resource (xiv, 324 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781438460642
  • 1438460643
Subject(s): Genre/Form: Additional physical formats: Print version:: Encounters with Godard.DDC classification:
  • 791.4302/33092 23
LOC classification:
  • PN1998.3.G63 W55 2016eb
Online resources:
Contents:
The politics of violence and the end(s) of art: speaking (for) the other in La Chinoise -- The signs in our midst: European culture and artistic resistance in Histoire(s) du cinéma (1988-98) -- Beyond the cinematic body: digital rhythms and in/human breakdown -- Silence, gesture, revelation: the ethics and aesthetics of montage in Godard and Agamben -- Music, love, and the cinematic event -- Crossing the darkness: metaphor, difference, dissymmetry in notre musique -- Entering the desert: giving face in Film socialisme -- Soft and hard/back to back: erotic encounters between voice and image in the zone -- Coda: cinema after language.
Summary: 'Encounters with Godard' takes the reader on a personal voyage into the sensory pleasures and polyphonic rhythms of Jean-Luc Godard's multimedia work since the late 1970s, from his feature films and video essays to his published writings, art books, and media performances.
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'Encounters with Godard' takes the reader on a personal voyage into the sensory pleasures and polyphonic rhythms of Jean-Luc Godard's multimedia work since the late 1970s, from his feature films and video essays to his published writings, art books, and media performances.

Includes bibliographical references, discography, filmography and index.

The politics of violence and the end(s) of art: speaking (for) the other in La Chinoise -- The signs in our midst: European culture and artistic resistance in Histoire(s) du cinéma (1988-98) -- Beyond the cinematic body: digital rhythms and in/human breakdown -- Silence, gesture, revelation: the ethics and aesthetics of montage in Godard and Agamben -- Music, love, and the cinematic event -- Crossing the darkness: metaphor, difference, dissymmetry in notre musique -- Entering the desert: giving face in Film socialisme -- Soft and hard/back to back: erotic encounters between voice and image in the zone -- Coda: cinema after language.

Print version record.

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