One-way street / Walter Benjamin ; translated by Edmund Jephcott ; edited and with an introduction by Michael W. Jennings ; preface by Greil Marcus.

By:

Benjamin, Walter, 1892-1940 [author.]

Contributor(s):

Material type: Text

TextLanguage: English Original language: German Publisher: Cambridge, Massachusetts : Belknap Press of Harvard University Press, 2016Copyright date: ©2016Description: 1 online resource (xxv, 105 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780674545908
0674545907

Uniform titles:

Einbahnstrasse. English

Subject(s): Genre/Form:

Additional physical formats: Print version:: One-way street.DDC classification:

838/.91209 23

LOC classification:

PN6283 .B413 2016eb

Other classification:

830
I516.65

Online resources:

Click here to access online

Other related works: Contained in (work):: Benjamin, Walter, 1892-1940. Reflections

Contents:

Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Introduction -- One-Way Street -- Notes -- Index.

Summary: "One-Way Street is a thoroughfare unlike anything else in literature--by turns exhilarating and bewildering, requiring mental agility and a special kind of urban literacy. Presented here in a new edition with expanded notes, this genre-defying meditation on the semiotics of late-1920s Weimar culture offers a fresh opportunity to encounter Walter Benjamin at his most virtuosic and experimental, writing in a vein that anticipates later masterpieces such as 'On the Concept of History' and The Arcades Project. Composed of sixty short prose pieces that vary wildly in style and theme, One-Way Street evokes a dense cityscape of shops, cafes, and apartments, alive with the hubbub of social interactions and papered over with public inscriptions of all kinds: advertisements, signs, posters, slogans. Benjamin avoids all semblance of linear narrative, presenting readers with a seemingly random sequence of aphorisms, reminiscences, jokes, off-the-cuff observations, dreamlike fantasias, serious philosophical inquiries, apparently unserious philosophical parodies, and trenchant political commentaries. Providing remarkable insight into the occluded meanings of everyday things, Benjamin time and again proves himself the unrivalled interpreter of what he called 'the soul of the commodity.' Despite the diversity of its individual sections, Benjamin's text is far from formless. Drawing on the avant-garde aesthetics of Dada, Constructivism, and Surrealism, its unusual construction implies a practice of reading that cannot be reduced to simple formulas. Still refractory, still radical, One-Way Street is a work in perpetual progress."--Provided by publisher.

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"One-Way Street originally appeared in English in Reflections by Walter Benjamin."

Includes bibliographical references and index.

"One-Way Street is a thoroughfare unlike anything else in literature--by turns exhilarating and bewildering, requiring mental agility and a special kind of urban literacy. Presented here in a new edition with expanded notes, this genre-defying meditation on the semiotics of late-1920s Weimar culture offers a fresh opportunity to encounter Walter Benjamin at his most virtuosic and experimental, writing in a vein that anticipates later masterpieces such as 'On the Concept of History' and The Arcades Project. Composed of sixty short prose pieces that vary wildly in style and theme, One-Way Street evokes a dense cityscape of shops, cafes, and apartments, alive with the hubbub of social interactions and papered over with public inscriptions of all kinds: advertisements, signs, posters, slogans. Benjamin avoids all semblance of linear narrative, presenting readers with a seemingly random sequence of aphorisms, reminiscences, jokes, off-the-cuff observations, dreamlike fantasias, serious philosophical inquiries, apparently unserious philosophical parodies, and trenchant political commentaries. Providing remarkable insight into the occluded meanings of everyday things, Benjamin time and again proves himself the unrivalled interpreter of what he called 'the soul of the commodity.' Despite the diversity of its individual sections, Benjamin's text is far from formless. Drawing on the avant-garde aesthetics of Dada, Constructivism, and Surrealism, its unusual construction implies a practice of reading that cannot be reduced to simple formulas. Still refractory, still radical, One-Way Street is a work in perpetual progress."--Provided by publisher.

Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Introduction -- One-Way Street -- Notes -- Index.

Walter Benjamin (1892-1940) was the author of many works of literary and cultural analysis. Michael W. Jennings is Class of 1900 Professor of Modern Languages at Princeton University. Greil Marcus is the author of The Doors, Mystery Train, and other books.