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Emily Carr as I knew her / Carol Pearson ; forewords by Robert Amos and Kathleen Coburn.

By: Contributor(s): Material type: TextTextPublisher: [Victoria, British Columbia] : TouchWood Editions, [2016]Copyright date: ©2016Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781771511759
  • 1771511753
Subject(s): Genre/Form: Additional physical formats: Print version:: Emily Carr as I knew her./.DDC classification:
  • 759.11 23
LOC classification:
  • ND249.C3
Other classification:
  • cci1icc
  • coll13
  • af101fs
Online resources:
Contents:
Intro; Contents; Foreword; Foreword To the 1954 Edition; Lucky Seven; Painting Lessons; Moulding Clay, and Hearts; Gathering the Clay; Indian Pottery; Sketching Trips; Pulling Daisies: He Will, He Won't; Her Animal Friends; Green Thumbs, or Hearts; Falling Stars; Old Shoes; Puddings; The Guest Room; Butterflies; Tides, Sands, and Wind; Corks, Plugs, and Stop Her; Aprons or Pinafores; Pillar to Post; Letters; Tresures: We All Have Them.
Summary: An intimate and heartwarming collection of memories that puts one of Canada's most beloved and iconic artists into a whole new light. In 1916, Emily Carr wasn't famous. She was poor, and she taught art classes to children. One of her students was seven-year-old Carol Pearson. Pearson spent hours every day with Carr: they painted together at the water's edge, and she helped care for the dogs, birds, monkey and other animals that Carr kept as pets. They grew very close, and at the age of 14, Carol moved in with Carr. Emily nicknamed Carol Baboo, and Carol called her Mom. The two were mother-and-daughter for twenty-five years, up until Carr passed away. This touching tribute to Carr illustrates a gentleness and sensitivity not seen in other biographies. Originally published in 1954, this very unique biography reveals Carr's personality more fully than any other.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

"First edition published 1954 by Clarke, Irwin & Company, Toronto"--Colophon.

Intro; Contents; Foreword; Foreword To the 1954 Edition; Lucky Seven; Painting Lessons; Moulding Clay, and Hearts; Gathering the Clay; Indian Pottery; Sketching Trips; Pulling Daisies: He Will, He Won't; Her Animal Friends; Green Thumbs, or Hearts; Falling Stars; Old Shoes; Puddings; The Guest Room; Butterflies; Tides, Sands, and Wind; Corks, Plugs, and Stop Her; Aprons or Pinafores; Pillar to Post; Letters; Tresures: We All Have Them.

An intimate and heartwarming collection of memories that puts one of Canada's most beloved and iconic artists into a whole new light. In 1916, Emily Carr wasn't famous. She was poor, and she taught art classes to children. One of her students was seven-year-old Carol Pearson. Pearson spent hours every day with Carr: they painted together at the water's edge, and she helped care for the dogs, birds, monkey and other animals that Carr kept as pets. They grew very close, and at the age of 14, Carol moved in with Carr. Emily nicknamed Carol Baboo, and Carol called her Mom. The two were mother-and-daughter for twenty-five years, up until Carr passed away. This touching tribute to Carr illustrates a gentleness and sensitivity not seen in other biographies. Originally published in 1954, this very unique biography reveals Carr's personality more fully than any other.

Includes bibliographical references.

Access restricted to LAC onsite clients. Online access with authorization. star CaOONL

Online resource; title from EPUB version (Library and Archives Canada Electronic Collection, viewed June 3, 2020)

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