Nationality vs Universality : music historiographies in central and eastern Europe / edited by Slawomira Zeranska-kominek.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 1443887773
- 9781443887779
- 780.72 23
- ML3797.2.E97
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references.
Print version record.
For the last few decades, historiography, considered as the central discipline of musicology, has explored new directions and sought inspiration for further research, consequently redefining the fundamental premises of historical musicology. This is especially true with regard to the concept of music history as the work of great individuals and the domain of artistic works, resulting from either tradition or new inventions. The validity of global and universal perspectives has been questioned, and researchers have emphasized the need to focus on local realities and day-to-day musical life. Ano.
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