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Sketching for architecture + interior design / Stephanie Travis.

By: Material type: TextTextPublisher: London : Laurence King Publishing Ltd., 2015Description: 1 online resource : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781780678030
  • 1780678037
  • 1780675925
  • 9781780675923
  • 9781780678054
  • 1780678053
Subject(s): Genre/Form: DDC classification:
  • 720.284 23
LOC classification:
  • NA2708 .T72 2015
Online resources:
Contents:
INTRODUCTION; MATERIALS; PEN WARM-UP; MARKER WARM-UP; CHAPTER 1: FURNITURE + LIGHTING; PRELIMINARY STUDY; ABSTRACTION; NEGATIVE STUDY; POSITIVE STUDY; MIRROR IMAGE; GUIDELINES; LAYERS; PERSPECTIVE BASICS; PLAN, ELEVATION + 3D; CIRCLES; MULTIPLE VIEW POINTS; APPLIED PATTERN; INTEGRATED PATTERN; SHADE + SHADOW; COMPOSITION; CHAPTER 2: INTERIORS; ONE-POINT PERSPECTIVE; TWO-POINT PERSPECTIVE; ONE-POINT ABSTRACTION; TWO-POINT ABSTRACTION; TRANSITIONAL SPACE; INTERIOR + EXTERIOR; WINDOW FRAMES; REPETITION; CONTINUOUS LINE; SCULPTURAL STUDY; PEOPLE; VIEWPOINTS; FOREGROUND + BACKGROUND; MAGNIFICATION
INTERIOR SHADINGCHAPTER 3: ARCHITECTURE; SYMMETRY + PATTERN; PUZZLE PIECES; NEGATIVE SPACE; EXPRESSION; BUILDING MATERIALS; BUILDING LAYERS; BUILDING LEVELS; LEFT-TO-RIGHT PERSPECTIVE; BUILDING CURVES; MULTI-POINT PERSPECTIVE; PERIMETER VIEWS; OPEN + CLOSED; VEGETATION; BUILDING SHADING; FINAL STUDY; THE AUTHOR; ACKNOWLEDGEMENTS
Summary: Annotation The debate surrounding hand drawing versus computer-generated imagery has become a hot topic. Having grown up with computers, todays interior design and architecture students are extremely adept at creating computer imagery, but often lack confidence in their freehand sketching skills, or do not know how to sketch at all. Sketching, and the careful observation that it entails, is essential for the successful development of the next generation of designers. Forty-five step-by-step exercises take the student from the simple threedimensional forms of furniture, to interiors, to complex building exteriors and cityscapes. Technical topics covered include tools, line weights, perspective, proportion, composition, shading, serial views and context. Exercises are illustrated with beautiful sketches specially created by the author. Sketching for Architecture and Interior Design is an indispensable and practical guide for students wishing to master the art of looking and sketching.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Online resource; title from PDF title page (EBSCO, viewed October 8, 2015).

Annotation The debate surrounding hand drawing versus computer-generated imagery has become a hot topic. Having grown up with computers, todays interior design and architecture students are extremely adept at creating computer imagery, but often lack confidence in their freehand sketching skills, or do not know how to sketch at all. Sketching, and the careful observation that it entails, is essential for the successful development of the next generation of designers. Forty-five step-by-step exercises take the student from the simple threedimensional forms of furniture, to interiors, to complex building exteriors and cityscapes. Technical topics covered include tools, line weights, perspective, proportion, composition, shading, serial views and context. Exercises are illustrated with beautiful sketches specially created by the author. Sketching for Architecture and Interior Design is an indispensable and practical guide for students wishing to master the art of looking and sketching.

INTRODUCTION; MATERIALS; PEN WARM-UP; MARKER WARM-UP; CHAPTER 1: FURNITURE + LIGHTING; PRELIMINARY STUDY; ABSTRACTION; NEGATIVE STUDY; POSITIVE STUDY; MIRROR IMAGE; GUIDELINES; LAYERS; PERSPECTIVE BASICS; PLAN, ELEVATION + 3D; CIRCLES; MULTIPLE VIEW POINTS; APPLIED PATTERN; INTEGRATED PATTERN; SHADE + SHADOW; COMPOSITION; CHAPTER 2: INTERIORS; ONE-POINT PERSPECTIVE; TWO-POINT PERSPECTIVE; ONE-POINT ABSTRACTION; TWO-POINT ABSTRACTION; TRANSITIONAL SPACE; INTERIOR + EXTERIOR; WINDOW FRAMES; REPETITION; CONTINUOUS LINE; SCULPTURAL STUDY; PEOPLE; VIEWPOINTS; FOREGROUND + BACKGROUND; MAGNIFICATION

INTERIOR SHADINGCHAPTER 3: ARCHITECTURE; SYMMETRY + PATTERN; PUZZLE PIECES; NEGATIVE SPACE; EXPRESSION; BUILDING MATERIALS; BUILDING LAYERS; BUILDING LEVELS; LEFT-TO-RIGHT PERSPECTIVE; BUILDING CURVES; MULTI-POINT PERSPECTIVE; PERIMETER VIEWS; OPEN + CLOSED; VEGETATION; BUILDING SHADING; FINAL STUDY; THE AUTHOR; ACKNOWLEDGEMENTS

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