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Uncle Will of Wildwood : nineteenth century life in the Bluegrass / Frances Jewell McVey & Robert Berry Jewell ; with an introduction by Thomas D. Clark ; illustrations by Robert James Foose.

By: Contributor(s): Material type: TextTextPublisher: Lexington : The University Press of Kentucky, 2005Edition: Paperback editionDescription: 1 online resource : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813158464
  • 081315846X
Subject(s): Genre/Form: Additional physical formats: Print version:: Uncle Will of WildwoodDDC classification:
  • 976.9041 23
LOC classification:
  • CT275.G5517 M32
Online resources:
Contents:
Cover; Half-title; Title; Copyright; Dedication; Contents; Introduction; Author's Note; 1 In a Hell of a Hurry; 2 Wildwood; 3 You Can't Get to Heaven That Way; 4 Uncle Will, Sarah Eliza, and Their Children; 5 They're Too Damn Good to Sell; 6 Good Friends and Clever Neighbors; 7 This Year- The Beaten Biscuits.
Summary: This warm and humorous memoir of the nineteenth-century Bluegrass recalls a special moment in Kentucky's past. It was a time of self-sufficient country estates; a time when, as Thomas D. Clark writes in his introduction, ""every Bluegrass farm gate was the entryway into a ruggedly independent domain."" Wildwood was such a domain, ruled by the titular Uncle Will of this classic book. Everything at Wildwood revolved around Will Goddard, who was ""a cross between a hurricane and an electric fan."" The irrepressible Uncle Will, with his mad dashes to Harrodsburg for mowing-machine parts, his habit.
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Print version record.

Cover; Half-title; Title; Copyright; Dedication; Contents; Introduction; Author's Note; 1 In a Hell of a Hurry; 2 Wildwood; 3 You Can't Get to Heaven That Way; 4 Uncle Will, Sarah Eliza, and Their Children; 5 They're Too Damn Good to Sell; 6 Good Friends and Clever Neighbors; 7 This Year- The Beaten Biscuits.

This warm and humorous memoir of the nineteenth-century Bluegrass recalls a special moment in Kentucky's past. It was a time of self-sufficient country estates; a time when, as Thomas D. Clark writes in his introduction, ""every Bluegrass farm gate was the entryway into a ruggedly independent domain."" Wildwood was such a domain, ruled by the titular Uncle Will of this classic book. Everything at Wildwood revolved around Will Goddard, who was ""a cross between a hurricane and an electric fan."" The irrepressible Uncle Will, with his mad dashes to Harrodsburg for mowing-machine parts, his habit.

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