A Comparative Study of Reception, Lyric Genres, and Semiotic Tools : Essays in Literary Criticism / Tim-hung Ku ; with a foreword by Ching-I Tu.

By:

Ku, Tim-hung, 1945-

Material type: Text

TextPublisher: Lewiston : The Edwin Mellen Press, [2014]Description: 1 online resource (v, 288 pages .)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780773407770
0773407774

Subject(s): Genre/Form:

Additional physical formats: Print version:: Comparative Study of Reception, Lyric Genres, and Semiotic Tools.DDC classification:

808.1 23

LOC classification:

PN1072 .K8 2014

Online resources:

Click here to access online

Contents:

A Comparative Study of Reception, Lyric Genres, and Semiotic Tools: Essays in Literary Criticism; Copyright Page; Table of Contents; Foreword; Preface; Acknowledgements; Part One -- Comparative Lyric Genres; Chapter One -- Introduction; Chapter Two -- Carpe Diem Poetry; Chapter Three -- Landscape Poetry; Chapter Four -- Love Poetry; Chapter Five -- Female-Persona Lyrics; Chapter Six -- Ekphrastic Poetry; Chapter Seven -- Conclusion; Part Two -- Reception Studies; Chapter One -- Introduction; Chapter Two -- Modernism in Modern Poetry of Taiwan: A Comparative Perspective.

Chapter Three -- Hu Shi's Poetic Program and New Poems: Wordsworth, Imagism, and Effective ContactsChapter Four -- Satanism in Lu Xun's Prose Poems Wild Grass: Nietzsche, Freud, and Japanese Mediation; Chapter Five -- Conclusion; References; Index.

Summary: A first ever work on comparative genre papers covering several genres on materials drawn from Chinese and Western literary traditions. The ultimate goal of the book is to describe a general, semiotics-based poetics of comparative genres and of the literary reception process.

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Includes bibliographical references (pages 263-281) and index.

Print version record.

A first ever work on comparative genre papers covering several genres on materials drawn from Chinese and Western literary traditions. The ultimate goal of the book is to describe a general, semiotics-based poetics of comparative genres and of the literary reception process.

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