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Living stereo : histories and cultures of multichannel sound / edited by Paul Théberge, Kyle Devine, and Tom Everrett.

Contributor(s): Material type: TextTextPublisher: New York : Bloomsbury Academic, 2015Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781623566876
  • 1623566878
  • 9781623565510
  • 1623565510
Subject(s): Genre/Form: Additional physical formats: Print version:: Living stereoDDC classification:
  • 621.389/33409 23
LOC classification:
  • TK7881.4 .L57 2015
Online resources:
Contents:
pt. ONE (AUDIO) POSITIONS -- 1. The "Sweet Spot": The Technology of Stereo and the Field of Auditorship / Tony Grajeda -- 2. The Stereophonic Spaces of Soundscape / Jonathan Sterne -- 3. Sonar and the Channelization of the Ocean / John Shiga -- pt. TWO LISTENING CULTURES -- 4. Training the Listener: Stereo Demonstration Discs in an Emerging Consumer Market / Tim J. Anderson -- 5. Mono in the Stereo Age / Eric Barry -- 6. Looking Past the Stereo Loudspeakers: From the Home to the Amplified Concert Hall / Jonathan Tee -- 7. Recorded British Folk Song / Allan F. Moore -- pt. THREE MULTICHANNEL SOUND AND SCREEN MEDIA -- 8. Television: Now with Two Channels of Audio / David Sedman -- 9. The Grandeur(s) of CinemaScope: Early Experiments in Cinematic Stereophony / Matthew Malsky -- 10. Atmos Now: Dolby Laboratories, Mixing Ideology and Hollywood Sound Production / Benjamin Wright -- 11.A Symphony of Sound: Surround Sound in Formula One Racing Games / Karen Collins.
Summary: "Stereo is everywhere. The whole culture and industry of music and sound became organized around the principle of stereophony during the twentieth century. But nothing about this-not the invention or acceptance or ubiquity of stereo-was inevitable. Nor did the aesthetic conventions, technological objects, and listening practices required to make sense of stereo emerge fully formed, out of the blue. This groundbreaking book uncovers the vast amount of work that has been required to make stereo seem natural, and which has been necessary to maintain stereo's place as a dominant mode of sound reproduction for over half a century. The essays contained within this book are thematically grouped under (Audio) Positions, Listening Cultures, and Multichannel Sound and Screen Media; the cumulative effect is to advance research in music, sound, and media studies and to build new bridges between the fields. With contributions from leading scholars across several disciplines, Living Stereo re-tells the history of twentieth-century aural and musical culture through the lens of stereophonic sound."-- Provided by publisher.
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Print version record.

Includes bibliographical references and index.

pt. ONE (AUDIO) POSITIONS -- 1. The "Sweet Spot": The Technology of Stereo and the Field of Auditorship / Tony Grajeda -- 2. The Stereophonic Spaces of Soundscape / Jonathan Sterne -- 3. Sonar and the Channelization of the Ocean / John Shiga -- pt. TWO LISTENING CULTURES -- 4. Training the Listener: Stereo Demonstration Discs in an Emerging Consumer Market / Tim J. Anderson -- 5. Mono in the Stereo Age / Eric Barry -- 6. Looking Past the Stereo Loudspeakers: From the Home to the Amplified Concert Hall / Jonathan Tee -- 7. Recorded British Folk Song / Allan F. Moore -- pt. THREE MULTICHANNEL SOUND AND SCREEN MEDIA -- 8. Television: Now with Two Channels of Audio / David Sedman -- 9. The Grandeur(s) of CinemaScope: Early Experiments in Cinematic Stereophony / Matthew Malsky -- 10. Atmos Now: Dolby Laboratories, Mixing Ideology and Hollywood Sound Production / Benjamin Wright -- 11.A Symphony of Sound: Surround Sound in Formula One Racing Games / Karen Collins.

"Stereo is everywhere. The whole culture and industry of music and sound became organized around the principle of stereophony during the twentieth century. But nothing about this-not the invention or acceptance or ubiquity of stereo-was inevitable. Nor did the aesthetic conventions, technological objects, and listening practices required to make sense of stereo emerge fully formed, out of the blue. This groundbreaking book uncovers the vast amount of work that has been required to make stereo seem natural, and which has been necessary to maintain stereo's place as a dominant mode of sound reproduction for over half a century. The essays contained within this book are thematically grouped under (Audio) Positions, Listening Cultures, and Multichannel Sound and Screen Media; the cumulative effect is to advance research in music, sound, and media studies and to build new bridges between the fields. With contributions from leading scholars across several disciplines, Living Stereo re-tells the history of twentieth-century aural and musical culture through the lens of stereophonic sound."-- Provided by publisher.

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