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Place, setting, perspective : narrative space in the films of Nanni Moretti / Eleanor Andrews.

By: Material type: TextTextPublisher: Madison : Fairleigh Dickinson University Press ; Lanham, Maryland : Co-published with the Rowman & Littlefield Publishing Group, Inc., [2014]Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781611476910
  • 1611476917
Subject(s): Genre/Form: Additional physical formats: Print version:: Place, setting, perspectiveDDC classification:
  • 791.43023/3092 23
LOC classification:
  • PN1998.3.M67 A53 2014eb
Online resources:
Contents:
List of Figures; Acknowledgments; Clarification; 1 Introduction; 1: Place; 2 Nearly All Roads Lead to Rome; 3 Battling with Nature; 4 Inside; 5 Outside; 2: Setting; 6 Laughter and Tears; 7 The Scene of the Crime; 8 Sweet Dreams?; 9 Whose Space is it Anyway?; 3: Perspective; 10 Inside and Outside the Frame; 11 A Certain Point of View; 12 An Artist at Work; Filmography; Bibliography; Index; About the Author.
Summary: This book takes a fresh view of the films of the Italian filmmaker Nanni Moretti through the important study of narrative space, which is defined here in terms of geographical place, genre setting, and aesthetic and philosophical perspective. The study is based on close textual analysis of Moretti's eleven major feature films to date, using the formal film language of mise-en-scène, cinematography, editing, and sound.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Print version record.

List of Figures; Acknowledgments; Clarification; 1 Introduction; 1: Place; 2 Nearly All Roads Lead to Rome; 3 Battling with Nature; 4 Inside; 5 Outside; 2: Setting; 6 Laughter and Tears; 7 The Scene of the Crime; 8 Sweet Dreams?; 9 Whose Space is it Anyway?; 3: Perspective; 10 Inside and Outside the Frame; 11 A Certain Point of View; 12 An Artist at Work; Filmography; Bibliography; Index; About the Author.

This book takes a fresh view of the films of the Italian filmmaker Nanni Moretti through the important study of narrative space, which is defined here in terms of geographical place, genre setting, and aesthetic and philosophical perspective. The study is based on close textual analysis of Moretti's eleven major feature films to date, using the formal film language of mise-en-scène, cinematography, editing, and sound.

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