Bachata and Dominican identity = La bachata y la identidad dominicana / Julie A. Sellers ; foreword by Darøo Tejeda.
Material type: TextLanguage: English, Spanish Publisher: Jefferson, North Carolina : McFarland, 2014Description: 1 online resourceContent type:- text
- computer
- online resource
- 9781476616384
- 1476616388
- 9781322149493
- 1322149496
- Bachata y la identidad dominicana
- Bachata -- Dominican Republic -- History and criticism
- Popular music -- Social aspects -- Dominican Republic
- Bachata -- République dominicaine -- Histoire et critique
- Musique populaire -- Aspect social -- République dominicaine
- MUSIC -- Instruction & Study -- Theory
- Bachata
- Popular music -- Social aspects
- Dominican Republic
- 781.64 23
- ML3486.D65 S45 2014
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
English and Spanish.
Includes bibliographical references and index.
"Bachata--a guitar-based romantic music that debuted in Santo Domingo's urban shantytowns in the 1960s--is today one of the hottest Latin genres. This book interweaves bachata's history and development with the socio-political context of Dominican identity in both the national and international community. Research is enriched with interviews conducted with bachata musicians and producers, radio announcers, and experts."-- Provided by publisher.
Print version record.
Cover; Table of Contents; English; Foreword by Darío Tejada; Preface; Introduction; One. Situating Bachata: Naming and Claiming a Genre; Two. Interpreting Dominicanidad; Three. Dictatorship and Nation-Building: The Era of Trujillo; Four. The Dawn of Bachata; Five. Bachata's Many Faces: From the Red- Light District to Rose- Colored Bachata; Six. Romantic Bachata; Seven. The Dominican Transnational Community and Bachata Típica; Eight. United States and Mainstream Modern Bachata; Nine. Las Bachateras; Conclusion; Notes; Illustrations/Ilustraciones; Español; Prólogo de Darío Tejada; Prefacio.
IntroducciónUno. La contextualización de la bachata: Ponerle nombre a un género y reivindicarlo; Dos. La interpretación de la dominicanidad; Tres. La dictadura y la construcción nacional: La Era de Trujillo; Cuatro. Los albores de la bachata; Cinco. Las muchas caras de la bachata: Desde la zona roja a la bachata rosa; Seis. La bachata romántica; Siete. La comunidad dominicana transnacional y la bachata típica; Ocho. La bachata norteamericana y la bachata moderna de la corriente dominante; Nueve. Las bachateras; Conclusión; Notas; Work s Cited /Obras cit ada s.
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