Differences on stage / edited by Alessandra De Martino, Paolo Puppa and Paola Toninato.

Contributor(s):

Material type: Text

TextPublisher: Newcastle upon Tyne : Cambridge Scholars Press, 2013Description: 1 online resource (xvi, 281 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781443867122
1443867128
1322144710
9781322144719

Subject(s):

Genre/Form:

Electronic books.

Additional physical formats: Print version:: Differences on stageDDC classification:

792.089 23

LOC classification:

PN2051 .D54 2013eb

Online resources:

Click here to access online

Contents:

Table of contents; preface; acknowledgments; for a theatre on the edge; part i: for a theoretical approach; chapter one; chapter two; chapter three; part ii: dramatic differences; chapter four; chapter five; chapter six; part iii: the game of mirrors; chapter seven; chapter eight; chapter nine; part iv: translating the other; chapter ten; chapter eleven; chapter twelve; part v: talking theatre; talking about differences; for a political theatre; part vi: dramaturgies; monologue: ragazze; monologue from barboni; monologue: alcestis; post scriptum; select bibliography; contributors; index.

Summary: Differences on Stage is a collection of twelve original essays by leading international theatre critics and scholars, which aims to address the relationship between theatre and the development of political awareness through the voice of subaltern people. The book is enriched by the contributions of some of the most engaged protagonists of the stage, who, in their capacity as authors, players and directors, denounce prejudice and conformism whilst allowing the marginalized sections of society ...

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 266-269) and index.

Print version record.

Differences on Stage is a collection of twelve original essays by leading international theatre critics and scholars, which aims to address the relationship between theatre and the development of political awareness through the voice of subaltern people. The book is enriched by the contributions of some of the most engaged protagonists of the stage, who, in their capacity as authors, players and directors, denounce prejudice and conformism whilst allowing the marginalized sections of society ...

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