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Becoming Belafonte : black artist, public radical / by Judith E. Smith.

By: Material type: TextTextSeries: Discovering America seriesPublisher: Austin : University of Texas Press, 2014Copyright date: ©2014Edition: First editionDescription: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780292767331
  • 0292767331
Subject(s): Genre/Form: Additional physical formats: Print version:: Becoming Belafonte.DDC classification:
  • 782.42164092 23
LOC classification:
  • ML420.B32 S55 2014eb
Online resources:
Contents:
From Harlem, Jamaica, and the segregated navy to New York City's interracial left-wing culture, 1927/1948 -- Black left, white stage, Cold War : moving into the spotlight, 1949/1954 -- Multimedia stardom and the struggle for racial equality, 1955/1960 -- Storming the gates : producing film and television, 1957/1970.
Summary: A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II -- from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael -- Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power. --Publisher's description.
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From Harlem, Jamaica, and the segregated navy to New York City's interracial left-wing culture, 1927/1948 -- Black left, white stage, Cold War : moving into the spotlight, 1949/1954 -- Multimedia stardom and the struggle for racial equality, 1955/1960 -- Storming the gates : producing film and television, 1957/1970.

Includes bibliographical references and index.

Print version record.

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II -- from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael -- Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power. --Publisher's description.

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