Theory of film practice / Noël Burch ; translated by Helen R. Lane.

By:

Burch, Noël, 1932- [author.]

Material type: Text

TextLanguage: English Original language: French Series: Princeton legacy libraryPublisher: Princeton, New Jersey : Princeton University Press, [1981]Copyright date: ©1981Description: 1 online resource : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781400853366
1400853362
9780691039626
0691039623
9780691003290
0691003297
0691615144
9780691615141

Uniform titles:

Praxis du cinéma. English

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Theory of film practiceDDC classification:

791.43/01 23

LOC classification:

PN1995 .B8513 1981eb

Online resources:

Click here to access online

Contents:

Frontmatter -- Contents -- Foreword -- I. Basic Elements -- II. Dialectics -- III. Perturbing Factors -- IV. Reflections on the Film Subject -- Index.

Summary: This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Translation of: Praxis du cinéma.

Includes bibliographical references and index.

Print version record.

Frontmatter -- Contents -- Foreword -- I. Basic Elements -- II. Dialectics -- III. Perturbing Factors -- IV. Reflections on the Film Subject -- Index.

This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In English.

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