Divine and Poetic Freedom in the Renaissance : Nominalist Theology and Literature in France and Italy.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781400861392
- 140086139X
- French literature -- 16th century -- History and criticism
- Italian literature -- 16th century -- History and criticism
- Italian literature -- 15th century -- History and criticism
- French literature -- To 1500 -- History and criticism
- Free will and determinism in literature
- Nominalism in literature
- Theology in literature
- Renaissance
- France -- Intellectual life -- 16th century
- Italy -- Intellectual life -- 1268-1559
- Littérature française -- 16e siècle -- Histoire et critique
- Littérature italienne -- 16e siècle -- Histoire et critique
- Littérature italienne -- 15e siècle -- Histoire et critique
- Littérature française -- Jusqu'à 1500 -- Histoire et critique
- Libre arbitre et déterminisme dans la littérature
- Nominalisme dans la littérature
- Théologie dans la littérature
- Renaissance
- France -- Vie intellectuelle -- 16e siècle
- Italie -- Vie intellectuelle -- 1268-1559
- Renaissance
- LITERARY CRITICISM -- European -- Italian
- LITERARY CRITICISM -- European -- French
- Free will and determinism in literature
- French literature
- Intellectual life
- Italian literature
- Nominalism in literature
- Renaissance
- Theology in literature
- France
- Italy
- To 1599
- 840.9/003 20
- PQ239
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Print version record.
Acknowledgments ; Introduction; ONE ; The Free Reader: Hypothetical Necessity in Fiction; TWO ; Free Reward: Merit in Courtly Literature; THREE ; The Free Creator: Causality and Beginnings; FOUR ; Free Choice in Fiction: Will and Its Objects in Rabelais; FIVE; The Free Poet: Sovereignty and the Satirist; Epilogue: Will and Perspective; BIBLIOGRAPHY; INDEX.
The closely related problems of creativity and freedom have long been seen as emblematic of the Renaissance. Ullrich Langer, however, argues that French and Italian Renaissance literature can be profitably reconceived in terms of the way these problems are treated in late medieval scholasticism in general and nominalist theology in particular. Looking at a subject that is relatively unexplored by literary critics, Langer introduces the reader to some basic features of nominalist theology and uses these to focus on what we find to be ""modern"" in French and Italian literature of the fifteen.
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