The cinematic voyage of The Pirate : Kelly, Garland, and Minnelli at work / Earl J. Hess and Pratibha A. Dabholkar.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780826273185
- 0826273181
- 791.436 22
- PN1995.9.M86
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Title of PDF version (EBSCO, viewed on July 17, 2014).
The Pirate of stage -- Creating the perfect screenplay -- Major players and reproduction -- Filming challenges -- Postproduction and reactions to the film -- Legacy of The Pirate -- Appendix A. Discarded screenplays for The Pirate -- Appendix B. Behrman's lines in the Goodrich-Hackett screenplay and the film -- Appendix C. Cast and crew list with mini-biographies.
Among the many products of the Arthur Freed Unit at M-G-M, The Pirate has garnered a great deal of attention from viewers and critics alike as one of the most interesting film musicals of all time. Although not as universally acclaimed as Singin' in the Rain, The Pirate is an important film musical to study for a number of reasons. It represents the start of Gene Kelly's glory period as actor, choreographer, and dancer.
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