Refiguring the map of sorrow : nature writing and autobiography / Mark Allister.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 0813921945
- 9780813921945
- American prose literature -- 20th century -- History and criticism
- Autobiography
- Authors, American -- Biography -- History and criticism
- Natural history -- United States -- Historiography
- Naturalists -- Biography -- History and criticism
- Nature in literature
- Prose américaine -- 20e siècle -- Histoire et critique
- Autobiographie
- Écrivains américains -- Biographies -- Histoire et critique
- Sciences naturelles -- États-Unis -- Historiographie
- Naturalistes -- Biographies -- Histoire et critique
- Nature dans la littérature
- autobiography (genre)
- LITERARY CRITICISM -- American -- General
- American prose literature
- Authors, American -- Biography
- Autobiography
- Natural history -- Historiography
- Naturalists -- Biography
- Nature in literature
- United States
- 1900-1999
- 818/.5409492 22
- PS366.A88 A4 2001eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 183-192) and index.
Writing the self through others -- Living the questions, writing the story : Sue Hubbell's A Country year -- An unnatural history made natural : Terry Tempest Williams's Refuge -- When all the world is cancerous : Bill Barich's laughing in the hills -- Constructing a self on the road : William Least Heat-Moon's Blue highways -- Pilgrimage to fashion a Zen self : Peter Matthiessen's The Snow leopard -- Making a home on the range : Gretel Ehrlich's The Solace of open spaces and Western myths.
Print version record.
Annotation <p>Recent decades have witnessed an explosion of interest in both autobiography and environmental literature. In Refiguring the Map of Sorrow, Mark Allister brings these two genres together by examining a distinct form of grief narrative, in which the writers deal with mourning by standing explicitly both outside and inside the text: outside in writing about the natural world; inside in making that exposition part of the grieving process.</p><p>Building on Peter Fritzell's thesis in Nature Writing and America that the best American nature writing blends Aristotelian natural history and Augustinian confession, this work of literary interpretation draws on psychoanalytical narrative theory, studies of grieving, autobiography theory, and ecocriticism for its insights into how nature writing can become an autobiographical, healing act.</p><p>Allister examines works by Terry Tempest Williams, Sue Hubbell, Peter Matthiessen, Bill Barich, William Least Heat-Moon, and Gretel Ehrlich in order to demonstrate the difficulty of hearing nature speak, and of translating terrain and self into language and form. As he focuses on the many ways in which humans connect -- often deeply and urgently -- to animals or the land, Allister vastly extends our understanding of "relational" autobiography.</p>
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