TY  - BOOK
AU  - CHICHKINE,Andrei
AU  - Farafonova,Dar'ja
TI  - Chapter ï¿½И скрипка, и контрабас�: фигура парадокса и поэтика недоумения в художественном мышлении Пиранделло и Достоевского
T2  - Biblioteca di Studi Slavistici
SN  - 979-12-215-0122-3.15
PY  - 2023///
CY  - Florence
PB  - Firenze University Press
KW  - Literature & literary studies
KW  - bicssc
KW  - Dostoevsky
KW  - humorism
KW  - paradox
KW  - Pirandello
KW  - reflection
N1  - Open Access
N2  - "Both violin and contrabass": The Figure of Paradox and the Poetics of Bewilderment in the Artistic Thinking of Pirandello and Dostoevsky. Pirandello and Dostoevsky are deeply linked at thematic, ideological and textual levels. In 1908, Pirandello published the treatise Humorism, in which he elaborated an original theory of humor and substantiated a worldview that is quite close to the type of artistic consciousness inherent in Dostoevsky's work, and is genetically related to it. The poetics of paradox, in which every mental and sensual experience is tested by its "opposite", encourages the reader to "hang" between two seemingly mutually exclusive principles while opening up the possibility of a new, more complex understanding of reality and of the Other. This article presents aspects of Pirandello's theory of humor in a new light, revealing their potential for application to the analysis of Dostoevsky's work
UR  - https://library.oapen.org/bitstream/id/87c46aa2-1f33-4968-97d8-483898b8bd74/9791221501223-15.pdf
UR  - https://library.oapen.org/handle/20.500.12657/74977
ER  -