TY  - BOOK
AU  - Ciufo,Thomas
AU  - Ciufo,Thomas
AU  - Dvorak,Abbey L.
AU  - Dvorak,Abbey L.
AU  - Haaheim,Kip
AU  - Haaheim,Kip
AU  - Hurst,Jennifer
AU  - Hurst,Jennifer
AU  - Leu,Grace Shih-en
AU  - Leu,Grace Shih-en
AU  - Miller,Leaf
AU  - Miller,Leaf
AU  - Mizumura-Pence,Ray
AU  - Mizumura-Pence,Ray
AU  - Oddy,Nicola
AU  - Oddy,Nicola
AU  - Stewart,Jesse
AU  - Stewart,Jesse
AU  - Sullivan,John
AU  - Sullivan,John
AU  - Tucker,Sherrie
AU  - Tucker,Sherrie
AU  - Waterman,Ellen
AU  - Waterman,Ellen
AU  - Wilks,Ranita
AU  - Wilks,Ranita
TI  - Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument
T2  - Music and Social Justice
SN  - 9780472055739
PY  - 2024///
PB  - University of Michigan Press
KW  - Disability: social aspects
KW  - bicssc
KW  - Music
KW  - Theory of music & musicology
KW  - Pauline Oliveros, Disability Justice, Disability and Music, Improvisation, Adaptive Musical Instruments, Music Therapy, Adaptive and Assistive Technology, Community Music, Inclusive Music, Accessibility in Music Making, Community Building, Disability Performance, Music and Special Education, Disability Activism and Music, AUMI, Deep Listening, Expanded Instrument System, Adaptive Digital Musical Instrument, Critical Improvisation Studies, Improvisation, Community, and Social Practice, Disability, Disabled People, People With Disabilities
N1  - Open Access
N2  - Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument (AUMI) brings together scholars, musicians, and family members of people with disabilities to  collectively recount years of personal experiences, research, and perspectives on the societal and community impact of inclusive musical improvisation. One of the lesser-known projects of composer, improviser, and humanitarian, Pauline Oliveros (1932-2016), the AUMI was designed as a liberating and affordable alternative to the constraints of instruments created only for normative bodies, thus opening a doorway for people of all ages, genders, abilities, races, and socioeconomic backgrounds to access artistic practice with others. More than a book about AUMI, this book is an invitation to readers to use AUMI in their own communities.     This book, which contains wisdom from many who have been affected by their work with the instrument and the people who use it, is a representation of how music and extemporized performance have touched the lives and minds of scholars and families alike. Not only has AUMI provided the opportunity to grow in listening to others who may speak differently (or not at all), but it has been used as an avenue for a diverse set of people to build friendships with others whom they may have never otherwise even glanced at in the street. By providing a space for every person who comes across AUMI to perform, listen, improvise, and collaborate, the continuing development of this instrument contributes to a world in which every person is heard, welcomed, and celebrated
UR  - https://library.oapen.org/bitstream/id/16bbf6d1-479e-4557-a798-99d88b96147b/9780472903689.pdf
UR  - https://library.oapen.org/handle/20.500.12657/86015
ER  -