TY  - BOOK
AU  - de Assis,Paulo
TI  - Experimental Affinities in Music
T2  - Orpheus Institute Series
SN  - 9789461661883
PY  - 2015///
CY  - Belgium, Leuven
PB  - Leuven University Press
KW  - Theory of music & musicology
KW  - bicssc
KW  - artistic experimentation
KW  - experimentation
KW  - experiments
KW  - expression
KW  - interpretation
KW  - music theory
KW  - Music theory
KW  - musical meaning
KW  - orpheus institute series
KW  - performance
KW  - recitation
N1  - Open Access
N2  - Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples.    Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinities suggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics.     The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann.  (publishing partner 'Orpheus Institute')
UR  - http://library.oapen.org/handle/20.500.12657/32935
UR  - https://library.oapen.org/bitstream/id/eb16f109-9e2b-4993-99f5-7f74bd001088/587990.pdf
ER  -