TY  - BOOK
AU  - Hucks,Tracey E.
TI  - Yoruba traditions and African American religious nationalism
T2  - Religions of the Americas
SN  - 9780826350770
AV  - BL2532.S5 H83 2012eb
U1  - 299.6/83330973 23
PY  - 2012///
CY  - Albuquerque
PB  - University of New Mexico Press
KW  - Adefunmi, Oseijeman,
KW  - Orisha religion
KW  - United States
KW  - History
KW  - African Americans
KW  - Religion
KW  - Black nationalism
KW  - Orisha (Religion)
KW  - États-Unis
KW  - Histoire
KW  - Noirs américains
KW  - Nationalisme noir
KW  - RELIGION
KW  - Ethnic & Tribal
KW  - bisacsh
KW  - fast
KW  - Oyotunji African Village (S.C.)
KW  - South Carolina
KW  - Oyotunji African Village
KW  - Electronic books
KW  - gtlm
N1  - Includes bibliographical references and index; Front Cover; Title Page; Copyright; Contents; Illustrations; Foreword; Preface; Acknowledgments; The Harlem Window: An Introduction; PART ONE: The Harlem Years; 1: "We Have as Much Right ... to Believe that God Is a Negro": Religious Nationalism and the Rehumanization of Blackness; 2: "Here I Is Where I Has Longed to Be": Racial Agency, Urban Religion, and the Early Years of Walter Eugene King; 3: Harlem Yoruba, Orisha-Vodu, and the Making of "New Oyo"; 4: "Indigenous Literacies" and the African Library Series: A Textual Approach to History, Nation, and Tradition; 5: "This Religion Comes from Cuba!": Race, Religion, and Contested GeographiesPART TWO: African American Yoruba Since 1970; 6: Oyotunji African Village: A Diaspora Experiment in African Nationhood; 7: "That's Alright ... I'm a Yoruba Baptist": Negotiating Religious Plurality and "Theological Openness" in African American Yoruba Practice; 8: "Afrikan Americans in the U.S.A. Bring Something Different to Ifa": Indigenizing Yoruba Religious Cultures; Conclusion: "What We're Looking for in Africa Is Already Here": A Conclusion for the Twenty-first Century; Notes; Bibliography; Index; Back Cover
N2  - Alongside the story of Nana Oseijeman Adefunmi's development as an artist, religious leader, and founder of several African-influenced religio-cultural projects, Hucks weaves historical and sociological analyses of the relationship between black cultu
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=450367
ER  -