TY  - BOOK
AU  - Brockliss,William
TI  - Reception and the classics
T2  - Yale classical studies
SN  - 9781139206143
AV  - PA25 .Y3 vol. 36eb
U1  - 880.09 23
PY  - 2012///
CY  - Cambridge, New York
PB  - Cambridge University Press
KW  - Classicism
KW  - Congresses
KW  - Classical literature
KW  - History and criticism
KW  - Classical philology
KW  - Reader-response criticism
KW  - Classicisme
KW  - Congrès
KW  - Littérature ancienne
KW  - Histoire et critique
KW  - Philologie ancienne
KW  - Esthétique de la réception
KW  - LITERARY COLLECTIONS
KW  - Ancient, Classical & Medieval
KW  - bisacsh
KW  - LITERARY CRITICISM
KW  - Ancient & Classical
KW  - fast
KW  - Latein
KW  - gnd
KW  - Literatur
KW  - Rezeption
KW  - Electronic books
KW  - Criticism, interpretation, etc
KW  - Conference papers and proceedings
N1  - Includes bibliographical references (pages 174-185) and index; Introduction -- Part I, Reception between transmission and philology: "Arouse the dead": Mai, Leopardi, and Cicero's commonwealth in Restoration Italy / James Zetzel -- Honor culture, praise, and Servius' Aeneid / Robert Kaster -- 4. Joyce and modernist Latinity / Joseph Farrell -- 5. Lyricus vates : musical settings of Horace's Odes / Richard Tarrant -- Part II, Reception as self-fashioning: Petrarch's epistolary epic : Letters on familiar matters (Rerum familiarium libri) / Giuseppe Mazzotta -- 7. The first British Aeneid : a case study in reception / Emily Wilson -- 8. Ovid's witchcraft / Gordon Braden -- 9. The streets of Rome : the classical Dylan / Richard F. Thomas -- Part III, Envoi: Reception and the classics / Christopher S. Wood
N2  - "This volume collects the majority of papers given at a conference held at Yale University in 2007. That conference, also entitled Reception and the Classics, sought to define and articulate the particular role of Classics and classicists in the project of Reception Studies.1 The field of Reception Studies ranges over a vast stretch of time and material, from classical antiquity to the present day, from literature to art, music, and film; it is thus an inherently interdisciplinary field in its encompassing of a great variety of departments and disciplines, each with its own canons, practices, and shared working assumptions. This interdisciplinary practice has formed the intellectual foundation for the present collection: although Reception Studies as a field has grown in scope and energy between conference and publication, we feel that the question of where Classics stands in relation to its peer disciplines remains alive and crucial"--
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=414514
ER  -