TY  - BOOK
AU  - White,Bob W.
TI  - Music and globalization: critical encounters 
T2  - Tracking globalization
SN  - 0253005418
AV  - ML3545 .M89 2012
U1  - 780.9 23
PY  - 2012///
CY  - Bloomington
PB  - Indiana University Press
KW  - World music
KW  - History and criticism
KW  - Music and globalization
KW  - Musiques du monde
KW  - Histoire et critique
KW  - Musique et mondialisation
KW  - MUSIC
KW  - History & Criticism
KW  - bisacsh
KW  - SOCIAL SCIENCE
KW  - Anthropology
KW  - Cultural
KW  - fast
KW  - Musik och samhälle
KW  - sao
KW  - Kultur och globalisering
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references and index; The musical heritage of slavery : from Creolization to "world music" / Denis-Constant Martin -- My life in the bush of ghosts : "world music" and the commodification of religious experience / Steven Feld -- A place in the world : globalization, music, and cultural identity in contemporary Vanuatu / Philip Hayward -- Musicality and environmentalism in the rediscovery of Eldorado : an anthropology of the Raoni-Sting encounter / Rafael José de Menezes Bastos -- "Beautiful blue" : Rarámuri violin music in a cross-border space / Daniel Noveck -- World music producers and the cuban frontier / Ariana Hernandez-Reguant -- Trovador of the Black Atlantic : Laba Sosseh and the Africanization of Afro-Cuban music / Richard M. Shain -- Slave ship on the infosea : contaminating the system of circulation / Barbara Browning -- World music of today / Timothy D. Taylor -- The promise of world music : strategies for non-essentialist listening / Bob W. White
N2  - "World music" emerged as a commercial and musical category in the 1980s, but in some sense music has always been global. Through the metaphor of encounters, Music and Globalization explores the dynamics that enable or hinder cross-cultural communication through music. In the stories told by the contributors, we meet well-known players such as David Byrne, Peter Gabriel, Sting, Ry Cooder, Fela Kuti, and Gilberto Gil, but also lesser-known characters such as the Senegalese Afro-Cuban singer Laba Sosseh and Raramuri fiddle players from northwest Mexico. This collection demonstrates that careful historical and ethnographic analysis of global music can show us how globalization operates and what, if anything, we as consumers have to do with it
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=412392
ER  -