TY  - BOOK
AU  - Adelt,Ulrich
TI  - Blues music in the sixties: a story in Black and White 
SN  - 9780813549484
AV  - ML3521 .A34 2010eb
U1  - 781.643089 22
PY  - 2010///
CY  - New Brunswick, N.J.
PB  - Rutgers University Press
KW  - Blues (Music)
KW  - 1961-1970
KW  - History and criticism
KW  - Music and race
KW  - United States
KW  - Blues
KW  - Histoire et critique
KW  - Musique et race
KW  - États-Unis
KW  - MUSIC
KW  - Genres & Styles
KW  - bisacsh
KW  - Soul & R 'n B
KW  - SOCIAL SCIENCE
KW  - Anthropology
KW  - Cultural
KW  - fast
KW  - Electronic book
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 171-178), discography (p. 179-181) , and index; Being Black twice : crossover politics in B.B. King's music of the late 1960s -- Like I was a bear or somethin' : blues performances at the Newport Folk Festival -- Trying to find an identity : Eric Clapton's changing conception of blackness -- Germany gets the blues : race and nation at the American Folk Blues Festival -- Enough to make you want to sing the blues : Janis Joplin's life and music -- Resegregating the blues : race and authenticity in the pages of Living blues
N2  - In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness-especially black masculinity-remained a marker of authenticity. Blues Music in the Sixties discusses these developments, including the international aspects of the blues. It highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=330869
ER  -