TY  - BOOK
AU  - Wallach,Jeremy
TI  - Modern noise, fluid genres: popular music in Indonesia, 1997-2001 
T2  - New perspectives in Southeast Asian studies
SN  - 9780299229030
AV  - ML3502.I5 W35 2008eb
U1  - 781.6309598 22
PY  - 2008///
CY  - Madison, Wis.
PB  - University of Wisconsin Press
KW  - Popular music
KW  - Indonesia
KW  - MUSIC
KW  - Genres & Styles
KW  - International
KW  - bisacsh
KW  - Pop Vocal
KW  - New Age
KW  - fast
KW  - Popmusik
KW  - gnd
KW  - Musique populaire
KW  - Indonésie
KW  - Indonesien
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 299-313) and index; Machine generated contents note; Introduction: A Brief History of Popular Music and Society in Indonesia --; pt. 1; Sites --; 1; Indonesian Popular Music Genres in the Global Sensorium --; 2; In the City: Class, History, and Modernity's Failures --; 3; Cassette Retail Outlets: Organization, Iconography, Consumer Behavior --; 4; In the Studio: An Ethnography of Sound Production --; 5; On Location: Shooting Music Video Clips --; 6; Offstage: Music in Informal Contexts --; pt. 2; Genres in Performance --; 7; Onstage: The Live Musical Event --; 8; Dangdut Concerts: The Politics of Pleasure --; 9; Rock and Pop Events: The Performance of Lifestyle --; 10; Underground Music: Imagining Alternative Community --; Conclusion: Indonesian Youth, Music, and Globalization --; Appendix; A Notes on Language in This Book --; Appendix B; Other Indonesian Popular Music Genres --; Appendix C; More on Nonstandard Speech Variants --; Glossary of Indonesian and Jakartanese Terms; Electronic reproduction; [Place of publication not identified]; HathiTrust Digital Library; 2010
N2  - "This book is an ethnographic investigation of Indonesian popular music genres and their producers and listeners during a period of dramatic political and cultural transformation."--Introduction; "The book is divided into two parts. The first half examines the cultural dynamics of particular sites for the production, mediation, and reception of popular music, including record stores, recording studios, video shoots, roadside food stalls, and other public and private spaces where music is performed, consumed, discussed, and debated by Indonesians form all walks of life. The second half of the book investigates spectific live performance events as occasions when musical production, mediation, and reception processes occur simultaneously. The chapters in that half focus on three major youth-oriented popular music genre categories: dangdut, pop, and 'underground' rock."--Preface
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=303235
ER  -