TY  - BOOK
AU  - Berger,Karol
TI  - Bach's cycle, Mozart's arrow: an essay on the origins of musical modernity 
T2  - A Simpson book in the humanities
SN  - 9780520933699
AV  - ML195 .B47 2007eb
U1  - 780.9/033 22
PY  - 2007///
CY  - Berkeley
PB  - University of California Press
KW  - Bach, Johann Sebastian,
KW  - Mozart, Wolfgang Amadeus,
KW  - Music
KW  - 18th century
KW  - History and criticism
KW  - Musique
KW  - 18e siècle
KW  - Histoire et critique
KW  - MUSIC
KW  - History & Criticism
KW  - bisacsh
KW  - Genres & Styles
KW  - Classical
KW  - fast
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 393-407) and index; Prelude : L'Orfeo, or the anxiety of the moderns -- Bach's cycle. The arrested procession ; A crystal flying like a bullet ; There is no time like God's time -- Interlude : Jean-Jacques contra Augustinum : a little treatise on moral-political theology -- Mozart's arrow. Mozart at play ; The hidden center ; Between incoherence and inauthenticity : Don Giovanni and Faust ; Die Zauberflöte, or the self-assertion of the moderns -- Postlude : between utopia and melancholy : Beethoven and the aesthetic state
N2  - Uses the works of Monteverdi, Bach, Mozart, and Beethoven to support the claims that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=306087
ER  -