TY  - BOOK
AU  - Eidt,Laura M.Sager
TI  - Writing and filming the painting: ekphrasis in liturature and film 
T2  - Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft
SN  - 9781435695306
AV  - PN56.E45 E43 2008eb
U1  - 809/.93357 22
PY  - 2008///
CY  - Amsterdam, New York
PB  - Rodopi
KW  - Goya, Francisco,
KW  - Rembrandt Harmenszoon van Rijn,
KW  - Vermeer, Johannes,
KW  - Ekphrasis
KW  - Art in literature
KW  - Art in motion pictures
KW  - Painting and motion pictures
KW  - Art dans la littérature
KW  - Art au cinéma
KW  - Peinture et cinéma
KW  - ekphrasis
KW  - aat
KW  - TRAVEL
KW  - Special Interest
KW  - Literary
KW  - bisacsh
KW  - LITERARY CRITICISM
KW  - General
KW  - fast
KW  - Malerei
KW  - Motiv
KW  - gnd
KW  - Literatur
KW  - Vergleichende Literaturwissenschaft
KW  - idszbz
KW  - Film
KW  - Ästhetik
KW  - Motiv (Film)
KW  - Motiv (Literatur)
KW  - swd
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 221-234) and Filmography (p. 235); Toward a definition of ekphrasis in literature and film -- Methodology -- Goya's Sleep of reason in poetry, drama and film : dramatizing the artist's battle with his creatures -- Goya's Sleep of reason in Lion Feuchtwanger's novel and Konrad Wolf's film adaptation : private or social demons? -- From screenplay to film : Rembrandt's self-portraits and social identity construction through ekphrasis -- Vermeer's women in film and fiction : ekphrasis and gendered structures of vision -- Conclusion : the cerebral and the affective function of ekphrasis
N2  - This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as ge
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