TY  - BOOK
AU  - Gertz,Nurith
AU  - Khleifi,George
TI  - Palestinian cinema: landscape, trauma and memory 
T2  - Traditions in world cinema
SN  - 9780748634095
AV  - PN1995.9.A68 G4713 2008eb
U1  - 791.43095694 22
PY  - 2008///
CY  - Edinburgh
PB  - Edinburgh University Press
KW  - Bibel
KW  - Philemonbrief
KW  - gnd
KW  - Palestinian Arabs in motion pictures
KW  - Nationalism in motion pictures
KW  - Jewish-Arab relations in motion pictures
KW  - Motion pictures
KW  - Israel
KW  - Palestiniens au cinéma
KW  - Nationalisme au cinéma
KW  - Relations judéo-arabes au cinéma
KW  - PERFORMING ARTS
KW  - Film & Video
KW  - Reference
KW  - bisacsh
KW  - History & Criticism
KW  - fast
KW  - Palästina
KW  - Electronic books
KW  - History
N1  - "This book was first published (as Landscape in mist: space and memory in Palestinian cinema) in Herbrew in 2005 by Am Oved and the Open University, Tel Aviv"--Title page verso; Includes bibliographical references (pages 200-215) and index; Includes filmography; COPYRIGHT; Contents; Introduction; 1. A Chronicle of Palestinian Cinema; 2. From Bleeding Memories to Fertile Memories; 3. About Place and Time: The Films of Michel Khleifi; 4. Without Place, Without Time: The Films of Rashid Masharawi; 5. The House and its Destruction: The Films of Ali Nassar; 6. A Dead-End: Roadblock Movies; 7. Between Exile and Homeland: The Films of Elia Suleiman; Conclusion; Epilogue; Bibliography; Filmography; Index
N2  - Although in recent years, the entire world has been increasingly concerned with the Middle East and Israeli-Palestinian relationship, there are few truly reliable sources of information regarding Palestinian society and culture, either concerning its relationship with Israeli society, its position between east and west or its stances in times of war and peace. One of the best sources for understanding Palestinian culture is its cinema which has devoted itself to serving the national struggle. In this book, two scholars - an Israeli and a Palestinian - in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They discover that the more the social, political and economic conditions worsen and chaos and pain prevail, the more Palestinian cinema becomes involved with the national struggle. As expected, Palestinian cinema has unfolded its national narrative against the Israeli narrative, which tried to silence it. Key Features The first, serious comprehensive study of Palestinian film. A rare collaboration between Israeli and Palestinian scholars. A reliable insight into Palestinian society and culture, and the Israeli-Palestinian relationship
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=220640
ER  -