TY  - BOOK
AU  - Spiegelman,Willard
TI  - Majestic indolence: English romantic poetry and the work of art 
T2  - Oxford University Press on-line
SN  - 1423735749
AV  - PR590 .S66 1995eb
U1  - 821/.709 20
PY  - 1995///
CY  - New York
PB  - Oxford University Press
KW  - English poetry
KW  - 19th century
KW  - History and criticism
KW  - Art and literature
KW  - Great Britain
KW  - History
KW  - Aesthetics, British
KW  - Romanticism
KW  - Poésie anglaise
KW  - 19e siècle
KW  - Histoire et critique
KW  - Art et littérature
KW  - Grande-Bretagne
KW  - Histoire
KW  - Esthétique britannique
KW  - Romantisme
KW  - POETRY
KW  - English, Irish, Scottish, Welsh
KW  - bisacsh
KW  - fast
KW  - Romantiek
KW  - gtt
KW  - Esthetica
KW  - Gedichten
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 177-212) and index; "Majestic indolence": the progress of a Trope --; Wordsworth at work and play --; Coleridge and Dejection --; Keats's figures of indolence --; States of possession: Shelley's versions of pastoral --; Our American cousins --; Appendix A: Shelley's last lyrics --; Appendix B: the text of Coleridge's "Dejection: an ode, "
N2  - Spiegelman examines the theme of indolence-- both positive and negative--as it appears in the canonical work of four Romantic poets. He argues for a renewal of interest in literary formalism, aesthetics, and the pastoral genre. Wordsworth's "wise passiveness," Coleridge's "dejection" and torpor, Shelley's pastoral dolce far niente, and Keats's "delicious ... indolence" are seen as individual manifestations of a common theme. Spiegelman argues that the trope of indolence originated in the religious, philosophical, psychological, and economic discourses from the middle ages to the late eighteenth
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=143887
ER  -