TY  - BOOK
AU  - Cartmell,Deborah
TI  - Classics in film and fiction
T2  - Film/fiction
SN  - 9780585426723
AV  - PN1997.85 .C56 2000eb
U1  - 791.43/6 21
PY  - 2000///
CY  - London, Sterling, Virginia
PB  - Pluto Press
KW  - Film adaptations
KW  - History and criticism
KW  - Motion pictures and literature
KW  - Canon (Literature)
KW  - Adaptations cinématographiques
KW  - Histoire et critique
KW  - Cinéma et littérature
KW  - Chefs-d'œuvre (Littérature)
KW  - PERFORMING ARTS
KW  - Film & Video
KW  - Reference
KW  - bisacsh
KW  - fast
KW  - Literatur
KW  - gnd
KW  - Verfilmung
KW  - Verfilmingen
KW  - gtt
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references and index; Introduction : classics across the film/literature divide; Heidi Kaye and Imelda Whelehan --; "If only you could see what I've seen with your eyes" : Blade Runner and La Symphonie Pastorale; Nick Peim --; Classic Shakespeare for all : Forbidden Planet and Prospero's Books, two screen adaptations of The Tempest; Sara Martin --; The red and the blue : Jane Eyre in the 1990s; Lisa Hopkins --; Transcultural aesthetics and the film adaptations of Henry James; Martin Halliwell --; "Hystorical" puritanism : contemporary cinematic adaptations of Nathaniel Hawthorne's The Scarlet Letter and Arthur Miller's The Crucible; Sergio Rizzo --; Mrs Dalloway and Orlando : the subject of time and generic transactions; Lesley Higgins and Marie-Christine Leps --; "Desire projected itself visually" : watching Death in Venice; Stuart Burrows --; Leopold Bloom walks and Jimmy Stewart stares : on motion, genre and the classic; Kay Young --; Trial and error : combinatory fidelity in two versions of Franz Kafka's The Trial; Paul M. Malone --; In Cold Blood : yellow birds, new realism and killer culture; Paul Wells --; Home by tea-time : fear of imagination in Disney's Alice in Wonderland; Deborah Ross
N2  - The contributors to this volume negotiate the notion of a classic in film and fiction, exploring the growing interface and the blurring of boundaries between literature and film. They consider both canonical literary and film text
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=72573
ER  -