TY  - BOOK
AU  - Watt,James
TI  - Contesting the Gothic: fiction, genre and cultural conflict, 1764-1832 
T2  - Cambridge studies in Romanticism
SN  - 0511005180
AV  - PR858.T3 W38 1999eb
U1  - 823/.0872909/09033 21
PY  - 1999///
CY  - Cambridge, New York
PB  - Cambridge University Press
KW  - English fiction
KW  - 18th century
KW  - History and criticism
KW  - Horror tales, English
KW  - 19th century
KW  - Gothic fiction (Literary genre), English
KW  - Gothic revival (Literature)
KW  - Great Britain
KW  - Politics and culture
KW  - Literary form
KW  - History
KW  - Romanticism
KW  - Gothic fiction (Literary genre)
KW  - Roman anglais
KW  - 18e siècle
KW  - Histoire et critique
KW  - Récits d'horreur anglais
KW  - 19e siècle
KW  - Roman gothique
KW  - Grande-Bretagne
KW  - Politique et culture
KW  - Romantisme
KW  - Genres littéraires
KW  - Conflit culturel
KW  - Histoire
KW  - Littérature frénétique
KW  - LITERARY CRITICISM
KW  - European
KW  - English, Irish, Scottish, Welsh
KW  - bisacsh
KW  - fast
KW  - Gothic novel
KW  - gnd
KW  - Engels
KW  - gtt
KW  - Gothic Revival (letterkunde)
KW  - Letterkunde
KW  - ram
KW  - Littérature d'épouvante anglaise
KW  - Littérature fantastique
KW  - swd
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 186-200) and index; Origins : Horace Walpole and The castle of Otranto -- Loyalist gothic romance -- Gothic 'subversion': German literature, the Minerva Press, Matthew Lewis -- First poetess of romantic fiction: Ann Radcliffe -- Field of romance: Walter Scott, the Waverley novels, the Gothic
N2  - Charting its vicissitudes from Walpole to Scott, James Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between writers or works. He examines the novels' political import, and looks ahead to the fluctuating critical status of Scott and the Gothic
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=55745
ER  -