TY  - BOOK
AU  - Wiggins,Ellwood H.
TI  - Odysseys of recognition: performing intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist 
T2  - New studies in the age of Goethe
SN  - 9781684480395
AV  - PN56.R33 W54 2019eb
U1  - 809/.93352 23
PY  - 2019///]
CY  - Lewisburg, Pennsylvania
PB  - Bucknell University Press
KW  - Homer
KW  - Aristotle
KW  - Shakespeare, William,
KW  - Goethe, Johann Wolfgang von,
KW  - Kleist, Heinrich von,
KW  - Aristotle.
KW  - Homer.
KW  - Recognition in literature
KW  - Intersubjectivity in literature
KW  - Reconnaissance dans la littérature
KW  - Intersubjectivité dans la littérature
KW  - 17.76 history of world literature
KW  - bcl
KW  - LITERARY CRITICISM
KW  - Shakespeare
KW  - bisacsh
KW  - LITERARY CRITICISM / General
KW  - fast
KW  - Literatur
KW  - gnd
KW  - Wiedererkennen
KW  - Motiv
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references and index; Introduction: Performing recognition -- Part I. Marking the limits of recognition : between Aristotle and the Odyssey. "Just as the name itself signifies" : under the sign of nostalgia ; "Recognition is a change" : performance in motion ; "From ignorance to knowledge" : Penelope's poetological epistemology ; "Into friendship or enmity" : an ethics of authentic deception ; "For those bound for good or bad fortune" : casualties of recognition -- Part II. Outing interiority : modern recognitions. Self-knowledge between Plato and Shakespeare : Alcibiades I and Troilus and Cressida ; Metamorphoses of recognition : Goethe's "fortunate event" ; Epistemologies of recognition : Goethe's Iphigenie auf Tauris and the spectacle of catharsis ; Politics of recognition : friends, enemies, and Goethe's Iphigenie ; The fate of recognition : Kleist's Penthesilea -- Concluding reflections : signifying silence in Blumenberg and Kafka
N2  - Literary recognition is a technical term for a climactic plot device. Odysseys of Recognition claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, Ellwood Wiggins offers an alternative to conventional intellectual histories that situate the invention of the interior self in modernity. Through strategic readings of Aristotle, this elegantly written, innovative study recovers an understanding of interpersonal recognition that has become strange and counterintuitive. Penelope in Homer's Odyssey offers a model for agency in ethical knowledge that has a lot to teach us today. Early modern and eighteenth-century characters, meanwhile, discover themselves not deep within an impenetrable self, but in the interpersonal space between people in the world. Recognition, Wiggins contends, is the moment in which epistemology and ethics coincide: in which what we know becomes manifest in what we do. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1821936
ER  -