TY  - BOOK
AU  - Miguel-Prendes,Sol
ED  - University of North Carolina at Chapel Hill.
TI  - Narrating desire: moral consolation and sentimental fiction in fifteenth-century Spain 
T2  - North Carolina studies in the Romance languages and literatures
SN  - 9781469651972
AV  - PQ6060 .M54 2019eb
U1  - 863/.209353 23
PY  - 2019///
CY  - Chapel Hill
PB  - North Carolina Studies in the Romance Languages and Literatures, U.N.C. Department of Romance Studies
KW  - Spanish literature
KW  - To 1500
KW  - History and criticism
KW  - Sentimentalism in literature
KW  - Littérature espagnole
KW  - Jusqu'à 1500
KW  - Histoire et critique
KW  - LITERARY CRITICISM
KW  - European
KW  - Spanish & Portuguese
KW  - bisacsh
KW  - fast
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references and index; Chapter 1: The consolation of schoolmen -- Chapter 2: Recanting love -- Chapter 3: Orpheus in hell: contrafacta and novelness -- Converting desire, narrating desire
N2  - "Narrating Desire: Moral Consolation and Sentimental Fiction in Fifteenth-Century Spain proposes a new taxonomy and conceptual frame for the controversial Iberian genre of sentimental fiction. It traces its origin to late-medieval education in rhetoric, philosophy, and medicine as the foundation for virtuous living. In establishing the genre's boundaries and cultural underpinnings, Narrating Desire emphasizes the crucial link between Eastern and Western Iberian sentimental traditions, and offers close readings of a vast array of Catalan and Castilian fictions, translations, narrative poems, letters, and doctrinal treatises: the Catalan translations of Boethius's Consolation of Philosophy, Santillana's El sueño, Bernat Metge's Lo somni, Romeu Llull's Lo despropiament d'amor, Pedro Moner's La noche and L'anima d'Oliver, Rodríguez del Padrón's Siervo libre de amor, Carrós Pardo de la Casta's Regoneixenća, Roís de Corella's Parlament and Tragèdia de Caldesa, Pedro de Portugal's Sátira, Francesc Alegre's Somni and Raonament, Pere Torroella's correspondence, and the well-known works by Diego de San Pedro (Arnalte y Lucenda; Cárcel de Amor) and Juan de Flores (Grisel y Mirabella; Grimalte y Gradissa) among others. From them, Miguel-Prendes singles out a group of dream visions whose interpretive and compositional practices sire the sentimental genre. Social interactions lead to either a consolatory or a sentimental form, which imply very different ways of seeing: the allegorical gaze of consolation gives way to narrative fiction. In distorting moral conversion, the sentimental genre heralds the novel"--
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2293933
ER  -