TY  - BOOK
AU  - Dillon,Emma
AU  - Ransom,Lynn
TI  - Cantus scriptus: Technologies of Medieval Song: the Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age ; 2010 Symposium 
SN  - 1463228775
AV  - ML172 
U1  - 780.1/48 23
PY  - 2012///]
CY  - Piscataway, NJ
PB  - Gorgias Press
KW  - Musical notation
KW  - History
KW  - To 1500
KW  - Congresses
KW  - Paleography, Musical
KW  - Music
KW  - 500-1400
KW  - Manuscripts
KW  - 15th century
KW  - Paléographie musicale
KW  - Congrès
KW  - Musique
KW  - Manuscrits
KW  - 15e siècle
KW  - HISTORY
KW  - General
KW  - bisacsh
KW  - fast
KW  - Electronic books
KW  - Conference papers and proceedings
N1  - Frontmatter --; Table of Contents --; Preface --; Introduction; Dillon, Emma --; Capturing Sounds: The Notation of Language; Rankin, Susan --; Music Notation, Metaphor, and the Reification of Late- Medieval Song; Stone, Anne --; Technologies of Un-Notated Transmission: Trecento Song as Literature in One Early Sixteenth-Century Poetic Anthology; Jennings, Lauren --; Monks, Manuscripts, and Other Peer-to-Peer Song Sharing Networks of the Middle Ages; Cuthbert, Michael Scott --; From Perfect to Preposterous: How Digital Restoration Can Both Help and Hinder Our Reading of Damaged Sources; Craig-McFeely, Julia --; Quill and Pixel: Chansonniers and Their Modern Readers; Alden, Jane --; List of Contributors --; Index
N2  - This volume gathers six essays from papers presented at the 3rd Annual Lawrence J. Schoenberg Symposium on November 19-20, 2010. The essays explore both the technology of inscribed musical expression in the Middle Ages-especially in regard to notation-and the role that modern digital technologies play in facilitating the study of music manuscripts today. As the manuscript evidence shows, medieval music as written text was both expressive and prescriptive in shaping music-making practices, performance, and reception
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2261639
ER  -