TY - BOOK AU - Karjalainen,Toni-Matti TI - Sounds of origin in heavy metal music SN - 9781527520059 AV - ML3534 .S68 2018eb U1 - 781.6609 23 PY - 2018/// CY - Newcastle upon Tyne PB - Cambridge Scholars Publishing KW - Heavy metal (Music) KW - History and criticism KW - Congresses KW - Heavy metal (Musique) KW - Histoire et critique KW - Congrès KW - Heavy Metal music KW - bicssc KW - Popular culture KW - Music industry KW - MUSIC KW - Instruction & Study KW - Theory KW - bisacsh KW - fast KW - Electronic books KW - Conference papers and proceedings KW - Criticism, interpretation, etc N1 - Based on papers from the 3rd edition of Modern Heavy Metal Conference held in Helsinki, Finland, on June 28-30 2017; Includes bibliographical references; Tales from the North and Beyond: Sounds of Origin as Narrative Discourses; Toni-Matti Karjalainen --; True Norwegian Black Metal: Nationalism and Authenticity in the Norwegian Black Metal of the '90s; Baptiste Pilo --; Son(g)s of Darkness: Identities in Italian Black Metal; Tommaso Frangioni, Filippo Masina, Giulio Pieroni and Mario Venturella --; Javanese Black Metal: Towards a Definition of Post-Heritage Music; Gianluca Chelini --; From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity; Joseph Norman --; Manifold Intensities: Musical Identities in Contemporary Antipodean Metalcore and Post-Hardcore; Matt Sage and Caelli Jo Brooker --; Love Breed or Hate Haven? Localized Narratives of Identity in Heavy Metal Scene of New Haven, Connecticut; Amanda DiGioia N2 - "This book originates from the 2017 edition of the multidisciplinary Modern Heavy Metal Conference, organised in Helsinki, Finland. This collection of seven scholarly essays explores local scenes and identities within heavy metal music from multiple angles, covering a variety of different countries and metal sub-genres from Finland to Indonesia, and from black metal to metalcore. The essays here lay various theoretical perspectives and incorporate vivid examples with metal bands and scenes from all over the world. By exploring themes and discourses that are central to both research and practice, this book appeals to a versatile global readership. It serves the wide academic communities of metal music and popular music studies as well as of many other streams within cultural and social studies. This book also provides the large and active global community of heavy metal fans with a highly interesting package of genre information and country perspectives"--Back cover UR - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1921197 ER -