TY  - BOOK
AU  - Smart,Mary Ann
TI  - Waiting for Verdi: Italian opera and political opinion, 1815-1848 
SN  - 9780520966574
AV  - ML3918.O64 S63 2018
U1  - 782.10945/09034 23
PY  - 2018///]
CY  - Oakland, California
PB  - University of California Press
KW  - Verdi, Giuseppe,
KW  - Opera
KW  - Political aspects
KW  - Italy
KW  - 19th century
KW  - France
KW  - Paris
KW  - MUSIC
KW  - Instruction & Study
KW  - Voice
KW  - bisacsh
KW  - Lyrics
KW  - Printed Music
KW  - Vocal
KW  - Genres & Styles
KW  - Influence (Literary, artistic, etc.)
KW  - fast
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references and index; Risorgimento fantasies -- Accidental affinities: Gioachino Rossini and Salvatore Vigan? -- Elizabeth I, Mary Stuart, and the limits of allegory -- Reading Mazzini's Filosofia della musica with Byron and Donizetti -- Parlor games -- Progress, piety, and plagiarism: Verdi's I lombardi at La Scala -- Conclusion
N2  - "The name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests, or even while facing the firing squad. Whereas many of those stories were exaggerated or even invented by later generations, opera--by Verdi, but also by Rossini, Donizetti, and Mercadante--did play a key role in priming Italians to imagine Italy as an independent and unified nation. Capturing what it was like to attend the opera or to join in the music at an aristocratic salon, Waiting for Verdi shows that the moral dilemmas, emotional reactions, and journalistic polemics sparked by these performances set new horizons for what Italians could think, feel, say, and write. Among the lessons taught by this music were that rules enforced by artistic tradition could be broken, that opera or ballet could jolt the spectator into intense feeling as well as edify, and that Italy could be in the vanguard of stylistic and technical innovation, rather than clinging to the glories of centuries past. More practically, theatrical performances showed spectators that political change really was possible, making the newly engaged spectator in the opera house into an actor on the political stage"--Provided by publisher
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1817333
ER  -