TY  - BOOK
AU  - Love,Nancy Sue
TI  - Trendy fascism: White power music and the future of democracy 
T2  - SUNY series in new political science
SN  - 9781438462059
AV  - ML3916 .L69 2016eb
U1  - 305.809/073 23
PY  - 2016///]
CY  - Albany
PB  - State University of New York Press
KW  - White supremacy movements
KW  - Songs and music
KW  - History and criticism
KW  - Popular music
KW  - Political aspects
KW  - Social aspects
KW  - Neo-Nazism
KW  - Hate groups
KW  - Mouvements pour la suprématie blanche
KW  - Chants et musique
KW  - Histoire et critique
KW  - Musique populaire
KW  - Aspect politique
KW  - Aspect social
KW  - Néonazisme
KW  - Groupes haineux
KW  - SOCIAL SCIENCE
KW  - Discrimination & Race Relations
KW  - bisacsh
KW  - Minority Studies
KW  - fast
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references and index; Mobilizing white power: music, culture, and politics -- Playing with hate: racist skinheads, Skrewdriver, and liberal tolerance -- Imaging a white nation: neo-nazi folk, family values, and Prussian Blue -- Building a church: Rahowa, heavy metal, and racial ecology -- Recycling white trash: aesthetics, music, and democracy
N2  - Popular music plays a major role in mobilizing citizens, especially youth, to fight for political causes. Yet the presence of music in politics receives relatively little attention from scholars, politicians, and citizens. White power music is no exception, despite its role in recent high-profile hate crimes. Trendy Fascism is the first book to explore how contemporary white supremacists use popular music to teach hate and promote violence. Nancy S. Love focuses on how white power music supports "trendy fascism," a neo-fascist aesthetic politics. Unlike classical fascism, trendy fascism involves a hyper-modern cultural politics that exploits social media to create a global white supremacist community. Three case studies examine different facets of the white power music scene: racist skinhead, neo-Nazi folk, and goth/metal. Together these cases illustrate how music has replaced traditional forms of public discourse to become the primary medium for conveying white supremacist ideology today. Written from the interdisciplinary perspective on culture, economics, and politics best described as critical theory, this book is crucial reading for everyone concerned about the future of democracy. -- Provided by publisher
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1243542
ER  -