TY  - BOOK
AU  - Golston,Michael
TI  - Poetic machinations: allegory, surrealism, and postmodern poetic form 
SN  - 9780231538633
AV  - PS323.5 .G65 2015 
U1  - 811.5 23
PY  - 2015///
CY  - New York
PB  - Columbia University Press
KW  - American poetry
KW  - 20th century
KW  - History and criticism
KW  - Allegory
KW  - Surrealism (Literature)
KW  - Poetics
KW  - Poésie américaine
KW  - 20e siècle
KW  - Histoire et critique
KW  - Allégorie
KW  - Surréalisme (Littérature)
KW  - Poétique
KW  - Surrealist
KW  - aat
KW  - LITERARY CRITICISM
KW  - Poetry
KW  - bisacsh
KW  - fast
KW  - English
KW  - hilcc
KW  - Languages & Literatures
KW  - American Literature
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references and index; ""Table of Contents ""; ""Polemical Preface ""; ""Acknowledgments""; ""Introduction: Etymologies, 1980�the Allegorical Moment""; ""1. Entomologies: Louis Zukofsky and Lorine Niedecker""; ""2. Epistemologies: Clark Coolidge""; ""3. A=L=L=E=G=O=R=I=E=S: Peter Inman, Myung Mi Kim, Lyn Hejinian""; ""4. Semiologies: Susan Howe ""; ""5. Fictocritical Postlude: The Melancholy of Conceptualism""; ""Notes""; ""Works Cited""; ""Index""
N2  - The shape, lineation, and prosody of postmodern poems are extravagantly inventive, imbuing their form with as much meaning as their content. Through a survey of American poetry and poetics from the end of World War II to the present, Michael Golston traces the proliferation of these experiments to a growing fascination with allegory in philosophy, linguistics, critical theory, and aesthetics, introducing new strategies for reading American poetry while embedding its formal innovations within the history of intellectual thought. Beginning with Walter Benjamin's explicit understanding of Surrea
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1064693
ER  -