TY  - BOOK
AU  - Van Rij,Inge
TI  - The other worlds of Hector Berlioz: travels with the orchestra 
SN  - 9781139030090
AV  - ML410.B5 V36 2015
U1  - 780.92 23
PY  - 2015///
CY  - Cambridge, United Kingdom
PB  - Cambridge University Press
KW  - Berlioz, Hector,
KW  - Berlioz, Hector
KW  - Orchestra music (Berlioz, Hector)
KW  - fast
KW  - Orchestral music
KW  - 19th century
KW  - History and criticism
KW  - Orchestre, Musique d'
KW  - 19e siècle
KW  - Histoire et critique
KW  - MUSIC
KW  - Genres & Styles
KW  - Classical
KW  - bisacsh
KW  - Reference
KW  - Orchestermusik
KW  - gnd
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 339-350) and index; Travels with the orchestra: Travel writing and Berlioz's Orchestration Treatise -- Conquering other worlds: Military metaphors, virtuosity, and subjectivity in Symphonie funèbre et triomphale and Harold en Italie -- Visions of other worlds: Sensing the supernatural in Épisode de la vie d'un artiste and La nonne sanglante -- Back to (the music of) the future: Aesthetics of technology in Berlioz's Euphonia and Damnation de Faust -- Exhibiting other worlds: Les Troyens, museum culture, and human zoos
N2  - "Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring the relationship between these two forms of control - the orchestra as abstract sound, and the orchestra as collective labour and instrumental technology. Van Rij reveals that the negotiation between worlds characteristic of Berlioz's writings also plays out in his music: orchestral technology may be concealed or ostentatiously displayed; musical instruments might be industrialised or exoticised; and the orchestral musicians themselves move between being a society of distinctive individuals and being a machine played by Berlioz himself"--
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=946310
ER  -