TY  - BOOK
AU  - November,Nancy
TI  - Beethoven's theatrical quartets: opp. 59, 74, and 95 
T2  - Music in context
SN  - 9781107516762
AV  - ML410.B4 N948 2013eb
U1  - 785/.7194092 23
PY  - 2013///
CY  - Cambridge, UK, New York
PB  - Cambridge University Press
KW  - Beethoven, Ludwig van,
KW  - Quartets (Beethoven, Ludwig van)
KW  - fast
KW  - String quartets
KW  - Analysis, appreciation
KW  - Music
KW  - Philosophy and aesthetics
KW  - Quatuors à cordes
KW  - Analyse et appréciation
KW  - Musique
KW  - Philosophie et esthétique
KW  - MUSIC
KW  - History & Criticism
KW  - bisacsh
KW  - Genres & Styles
KW  - Chamber
KW  - Electronic books
N1  - Includes bibliographical references and index; Setting the scene : theories, practices, and the early nineteenth-century string quartet -- Curtain up : performing the middle-period quartets in Beethoven's time -- 'Not generally comprehensible' : op. 59, no. 1 and the drama of becoming -- 'With much feeling' : song, sensibility, and rhapsody in op. 59, no. 2 -- 'Helden-Quartett ': genre, innovation, and 'heroic' voices in op. 59, no. 3 -- Freudvoll und leidvoll : songful impetus and dualistic voice in the 'Harp' Quartet -- 'The quick-witted brevity of the genuine dramatist' -- Op. 95 and the idea of the fragment -- A tale of heroic emancipation? Reception narratives for the middle-period string quartets
N2  - "Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character"--
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=644579
ER  -