TY  - BOOK
AU  - McQuiston,Kate
TI  - We'll meet again: musical design in the films of Stanley Kubrick 
T2  - The Oxford music/media series
SN  - 9780199331987
AV  - ML2075 .M37 2013eb
U1  - 781.5/42 23
PY  - 2013///]
CY  - New York
PB  - Oxford University Press
KW  - Kubrick, Stanley
KW  - Kubrick, Stanley.
KW  - Bibel
KW  - Philemonbrief
KW  - gnd
KW  - Motion picture music
KW  - History and criticism
KW  - Film, Musique de
KW  - Histoire et critique
KW  - MUSIC
KW  - Instruction & Study
KW  - Theory
KW  - bisacsh
KW  - fast
KW  - Filmmusik
KW  - sfit
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 221-225) and index; Part I, The anatomy of the Kubrick soundscape. Language, lyrics, voice and sound ; Drawing lines and crossing borders : musical climates, the diegetic-nondiegetic border and voice-over narration -- Part II, Music-cinematic topics. Mysterious music with invisible edges and the emergence of musical form in The shining ; Reimagining music in Barry Lyndon -- Part III, We've met before : familiar pieces and their histories. The mutual inscription of music and drama ; Evolution and amnesia in the soundtrack of 2001: a space odyssey ; Musical dialectics and the more troublesome Beethoven ; Kubrick's spin on Max Ophüls and the ineluctable waltz
N2  - Though the films of Stanley Kubrick have long been recognized for their innovation, visual impact, and challenging subject matter, they also feature unique and provocative uses of music that define Kubrick's work and that have made a lasting impact on filmmaking and multimedia more broadly. 'We'll Meet Again' takes the position that, for Kubrick, music is absolutely central to the themes, visual designs, and meanings in the films. 'We'll Meet Again' traces ways in which music assumes an important place for Kubrick throughout the working process and in the reception of the films as well
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=667813
ER  -